American Indian Quarterly, vol. 18, no. 4, Autumn, 1994, pp. 481-494
Description
Literary criticism article which examines Black Hawk: An Autobiography and argues that in addition to its value as a historical text, it should also be considered as an act of literary resistance against the narratives imposed on Indigenous peoples by mainstream society.
American Indian Quarterly, vol. 43, no. 4, Fall, 2019, pp. 439-470
Description
Author examines several images contemporary to the 1904 World’s Fair, discusses the way in which Indigenous people were portrayed as "spectacle, commodity and spoil of American conquest;" articulates ways that some Indigenous Leaders both corroborated these portrayals and subverted them.
American Indian Quarterly, vol. 16, no. 3, Summer, 1992, pp. 361-372
Description
Author explores the tropes of exoticism contained in Fergusson’s novel Dancing Gods, situates Fergusson’s writing within the genre, and relates it to similar works by other writers within the genre.
AlterNative, vol. 15, no. 1, March 2019, pp. 75-81
Description
Illustrates the new character tropes being developed by Aboriginal Australian writers to challenge the stereotypical representation of Indigenous peoples in detective fiction.
ab-Original, vol. 2, no. 2, The Entangled Gaze, 2018, pp. 125-140
Description
Introduction to and commentary on the special issue which features extracts from a conference with the same name and articles which focus on the ways that Indigenous peoples represent European people(s), and vice versa, in art.
Hakaru Maruumatu Kwitaka? Seeking Representational Jurisdiction in Comanchería Cinema
Articles » Scholarly, peer reviewed
Author/Creator
Dustin Tahmahkera
NAIS: Journal of the Native American and Indigenous Studies Association, vol. 5, no. 1, Spring, 2018, pp. 100-135
Description
Discusses representations of the Comanche people in both historic and contemporary films and other media; describes ways in which cinematic Comanche (actors and performers) worked to subvert mainstream narratives and portrayals of their people.
Studies in American Indian Literature, vol. 30, no. 3-4, Fall-Winter, 2018, pp. 121-150
Description
Discuss Waln’s use of hip hop as a venue to resist colonially imposed tropes of toxic/hyper masculinity and the indian, and to reestablish authentic Indigenous masculinities and collaboration with Indigenous feminists.
American Indian Quarterly, vol. 21, no. 3, Summer, 1997, pp. 409-422
Description
Author examines different frameworks and themes related to mixed ethnicities/identities and considers how these factors might motivate an author to create mixed characters.
American Indian Quarterly, vol. 16, no. 1, Winter, 1992, pp. 53-61
Description
Author works to articulate a strategy for the introduction and study of Indigenous text in the post-secondary classroom. Focuses on identifying a text as an “Indigenous text,” diversity of authors, cultural elements of the texts.
ab-Original, vol. 2, no. 2, The Entangled Gaze, 2018, pp. 151-156
Description
In this conference extract the author examines the history of Inuit art noting the ongoing self-representation in the work; argues that this allows for a high level of agency in Inuit art.
American Indian Culture and Research Journal, vol. 28, no. 4, 2004, pp. 131-181
Description
Book reviews of :
American Indian Education, a History by Jon Allan Reyhner and Jeanne Eder.
The Anguish of Snails: Native American Folklore in the West by Barre Toelken.
Battle for the BIA: G.E.E. Lindquist and the Missionary Crusade against John Collier by David W.
Canadian Journal of Native Studies, vol. 37, no. 2, 2017, pp. 61-86
Description
Authors examines the (neo)colonial narratives present the English print media coverage of the Glenbow Museum’s 1988 exhibit The Spirit Sings. The exhibit, a headliner of the 1988 Winter Olympic Arts Festival in Calgary, is often considered to be the “catalyst for Canada's Task Force on Museums and First Peoples (1992).”
ab-Original, vol. 2, no. 2, The Entangled Gaze, 2018, pp. 141-150
Description
In this conference extract the author explores the different ways that his Haudenosaunee ancestors would have represented their experiences with and perceptions of the first Europeans to arrive in what is now North America.
Journal of Film and Video, vol. 60, no. 2, Summer, 2008, pp. 15-25
Description
Examines the role of visual anthropology in creating and interpreting cultural images and discusses how documentary video techniques could be used for cultural preservation.
Museum Anthropology, vol. 16, no. 1, February 1992, pp. 29-43
Description
Assesses two major museum exhibits as individual projects and as illustrations of broader issues concerning the representation of Native Americans: Objects of Myth and Memory: American Indian Art at the Brooklyn Museum and Chiefly Feast: The Enduring Kwakiutl Potlatch at the American Museum of Natural History.0892-8339