American Indian Quarterly, vol. 27, no. 1/2, Winter, 2003, pp. 333-348
Description
Critical analysis of This Bridge Called My Back, relating classroom experience and sense of responsibility held by a lone Indigenous woman student in a mainstream classroom.
Studies in American Indian Literatures, vol. 18, no. 2, Summer, 2006, pp. 105-131
Description
Contends that the work of Sioux writer Alexander Eastman reflects not only an assimilationist perspective but also examines Native Americans within the oppressive socio-cultural context of 19th and 20th century.
Entire issue on one pdf. To access article, scroll to page 105.
European Journal of American Culture, vol. 31, no. 3, Native Americans In Europe in the Twentieth Century, October 18, 2012, pp. 187-203
Description
Looks at Buffalo Bills "Wild West" show which travelled across England, France, Spain, Italy, Germany, Austria, Hungary, Holland and Belgium between 1886 and 1906.
Studies in American Indian Literatures, vol. 31, no. 1-2, Spring-Summer, 2019, pp. 83-114
Description
Literary criticism article that gives close readings of work from Chrystos's Not Vanishing; argues that Chrystos’s poetry work combat the rhetorical invisibility experience by two-spirit and queer Indigenous people in contemporary feminist movements.
Discusses the impact of colonialism and how empowerment strategies are the key to creating generational change and establishing functional communities.
English Thesis (Ph.D.)--Northern Illinois University, 2006.
Discusses works by S. Alice Callahan, Mourning Dove (Christal Quintasket), D'Arcy McNickle, Anna Lee Walters, Thomas King and Sherman Alexie.
Canadian Theatre Review, no. 108, Fall, 2001, pp. 48-51
Description
Reviews the large scale northern tour of an award winning First Nations play, fareWel by Ian Ross, which looks at issues such as identity, poverty, substance abuse, and racism.
American Theatre, vol. 26, no. 3, March 2009, p. 23
Description
Brief discussion of the play Battles of Fire and Water by Dave Hunsaker. The playwright used oral and written histories about battles (in 1802 and 1804) fought by Russians and the Tlingits over land, as the basis for the play.
American Indian Quarterly, vol. 21, no. 4, Cultural Property in American Indian Literatures: Representation and Interpretation, Fall, 1997, pp. 663-673
Description
Argues that while Indigenous authors are determined to express their unique perspectives while doing so in a hostile environment..
American Indian Quarterly, vol. 1, no. 1, Spring, 1974, pp. 27-33
Description
An investigation of how the author's fictional works use Native American characters to accentuate the relationships between races in the American South.
English Thesis (Ph.D.)--Louisiana State University and Agricultural and Mechanical College, 2000.
Examines works by Rudolfo Anaya, Louise Erdrich, Linda Hogan, Ana Castillo, Leslie Marmon Silko, Paula Gunn Allen and Sandra Cisneros.
American Indian Quarterly, vol. 15, no. 2, Spring, 1991, pp. 171-185
Description
Author examines oral storytelling and the ways that meaning is made in and by the act. Discusses issues of context, timing, cross-cultural engagement, and resistance to colonialism and neocolonialism.
The Midwest Quarterly, vol. 42, no. 3, Spring , 2001, pp. 320-333
Description
Looks at a few of the problems that writers have created, surveys some of the ways Native Americans have been portrayed and comments on some modern and postmodern fiction.