Reflections on Rethink150: Indigenous Truth
Remembering the Past: A Window to the Future: Stained Glass Window in Parliament Artist Description of Giniigaaniimenaaning
Remote Avant-Garde: Aboriginal Art under Occupation
Renegotiating Identities, Cultures and Histories: Oppositional Looking in Shelley Niro's This Land is Mime Land
The Representation of First Nations Art at the Art Gallery of Ontario
Reshaping Tradition: Linking Continuity, Change, and Formline Design in Contemporary Northwest Coast First Nations Art
Residency with Gallery Gachet 2008
Residential School Research a Learning Experience
Risky Business
Robert Houle: enuhmo andúhyaun (the road home)
Saskatchewan History - The First Peoples: Plains First Nations
Saving Wirikuta: My People’s Struggle to Protect a Sacred Place in Mexico
Secwepemc History: The First 220 Years of Contact
Sequoyah National Research Center
Website is one of the largest repositories of Native American publications including newspaper & periodical collections, manuscripts & special collections. Also includes Dr. J. W. Wiggins Native American Art Collection, SNRC newsletters, links and other research collections.
Sheena's Story
Shellwork
Discusses various examples, their purpose and the techniques used to make them.
The Shifting Phases of a Commodity: Textiles and Ethnic Tourism on a Lake Titicaca Island
Showing and Telling the Story of Nikis (My Little House): An Arts-Based Autoethnographic Journey of a Cree Adult Educator
Shuvinai Ashoona: Life & Work
Situated Flow: A Few Thoughts on Reweaving Meaning in the Navajo Spirit Pathway
Songlines, Stories and Community Engagement: A Conversation with Cheryl L'Hirondelle, Elwood Jimmy, and Chris Bose
Southern Cheyenne Style Moccasins: Bob Gurney's Moccasins Revisited
Spinning the Web of a Spider
Staying in Place: Plains Metis Borderland Communities, 1885-1930
Stone as Stone: An Essay About Jimmie Durham
Stone Bodies in the City: Unmapping Monuments, Memory and Belonging in Ottawa
Subversion Through Inversion: Kent Monkman's The Triumph of Mischief
Suffer Little Children
Sundays With Harry: An Essay on a Contemporary Native Artist of Our Time
Survivance, Signs, and Media Art Histories: New Temporalities and Productive Tensions in Dana Claxton’s Made To Be Ready: A Review Essay
Susan Point: Spindle Whorl: Teacher's Study Guide
Although designed to accompany class visit to an exhibition of the Musqueam artist's work, can be used alone.
Susweca: The Dragonfly Motif in Plains Indian Art
Taking Action! Art and Aboriginal Youth Leadership for HIV Prevention
Terrance Houle & Adrian Stimson: Buckskin Re-Mounting
Three Hundred Years of Tlingit Art
Through Our Eyes: An Indigenous View of Mashapaug Pond
Through the Eyes of the Cree
The Totemic Art of Small-Town Canada
Tourists' Perceptions of Aboriginal Heritage Souvenirs
Toward an Indigenous Feminine Animation Aesthetic
A Tradition of Evolution: The Vancouver Indigenous Media Arts Festival
Traditions, Arts & Trades: Teacher Manual
Although created for the Old Crow Experiential Educational Project, some activities can be adapted for other contexts. Lessons are grouped by Grades 7-9, Grades 4-6, and Grades 1-3.
Transforming Hybridities: Brendan Lee Satish Tang's Manga Ormolu and Michael Nicoll Yahgulanaas' Haida Manga
The Trick Question: Finding a Home for Tricksters in Indigenous Literary Nationalism
The Trickster Critique: How Parody in Contemporary Native American Art Challenges Authenticity and Authority within Mainstream Museums
Understanding Place in Culture: Serigraphs and the Transmission of Cultural Knowledge
Unsettling Scenes
Urban Representations: Cultural Expression, Identity and Politics
Utilising PEARL to Teach Indigenous Art History: A Canadian Example
Professor from the University of Regina presents case study based on teaching a third-year course titled "Contemporary Aboriginal Art and Colonialism".