Great Plains Quarterly, vol. 31, no. 2, Spring, 2011, pp. 105-123
Description
Looks at Poolaw's technique of dramatically posing subjects which he gained through film-making experience and provides an overview of various photographs taken.
Records in the Margaret Baker fonds collection tell the story of the development of the Wahpeton reserve and Lucy Baker's activities as a missionary teacher. Reflects stereotypical views of the time.
John Diefenbaker holds a small totem pole and Olive Diefenbaker holds a bouquet as they pose for a photo with two Aboriginal Canadians, one holding a larger totem pole, both in ceremonial dress. Taken in the North Vancouver Coast-Capilano riding during the election campaign.
John Diefenbaker standing with Chief Mathias Joe and three other members of the Capilano Indian band who are all in ceremonial dress. Taken in the North Vancouver Coast-Capilano riding during the election campaign, March 1958.
John Diefenbaker standing with Chief Mathias Joe and three other members of the Capilano Indian band who are all in ceremonial dress. Taken in the North Vancouver Coast-Capilano riding during the election campaign, March 1958.
John Diefenbaker standing for a photo with Chief Mathias Joe of the Capilano Indian band who is presenting him with a small totem. Taken in the North Vancouver Coast-Capilano riding during the election campaign.
John Diefenbaker standing amongst a crowd of elementary students from the Indian Baptist Mission and Christ the King School and high school students from Whitehorse Elementary High School, Whitehorse.
Imagining Resistance: Visual Culture and Activism in Canada
[Cultural Studies Series]
E-Books » Chapters
Author/Creator
Claudette Lauzon
Description
Discusses the photographic series Scouting for Indians which documents and challenges mainstream representations of Aboriginals.
Excerpt from Imagining Resistance: Visual Culture and Activism in Canada edited by Kirsty Robertson and J. Kerri Cronin.
Looks at the dominant visual representations of Native Americans and the use of photography as a form of resistance to racist photographic representations.
Alaska State Museums Bulletin, no. 43, August 23, 2011, p. [?]
Description
Overview of the use of photography to portray the indigenous populations and in mapping and surveying during the 19th and early 20th centuries. Includes photographs
A group of Cree men, women and children in powwow style clothing pose in front of a group of teepees. Taken at Yorkton Jubilee celebrations, July, 1958. An Aboriginal man in western clothing kneels at the centre.
American Indian Culture and Research Journal, vol. 35, no. 1, 2011, pp. 119-185
Description
Book reviews of:
2000 Years of Mayan Literature by Dennis Tedlock.
Child of the Fire: Mary Edmonia Lewis and the Problem of Art History’s Black and Indian Subject by Kirsten Pai Buick.
Conservation Refugees: The Hundred-Year Conflict between Global Conservation and Native Peoples by Mark Dowie.
Delaware Tribe in a Cherokee Nation by Brice Obermeyer.
Demons, Saints, & Patriots: Catholic Visions of Indian America through The Indian Sentinel (1902–1962) by Mark Clatterbuck.
George Lutz recounts stories while living at Mandan, North Dakota and helping his father Rolland produce thousands of postcards of Native Americans. Includes photographs.