American Indian Culture and Research Journal, vol. 43, no. 4, Fraud in Native American Communities: Essays in Honor of Suzan Shown Harjo, 2019, pp. 123-132
Description
Discusses successful children's writers that falsely claim Indigenous ancestry and the effect their success had on maintaining stereotypes that fit the popular conception of what constitutes an Indigenous person. The four of the writers profiled are: Jamake Highwater Anpao, Paul Goble, Sharon Creech, and Asa Carter.
Western American Literature, vol. 45, no. 3, Fall, 2010, pp. 228-251
Description
Looks at how role reversals and racial imitations in Joe the Painter and the Deer Island Massacre transforms the stereotypical trappings of Indian roles by redescribing and incorporating a sense of the past into the present.
American Indian Quarterly, vol. 8, no. 4, Autumn, 1984, pp. 315-329
Description
Examines the protagonists and use of the trickster archetype in Indigenous author's fictional stories. Scott Momaday's House Made of Dawn and James Welch's Winter in the Blood and The Death of Jim Loney are the novels examined.
American Indian Culture and Research Journal, vol. 20, no. 4, 1996, pp. 91-119
Description
Deals with problems of identity, especially as a construct imposed upon indigenous peoples. Also examines the identity threshold experience in Silko and Momaday's works.
Essays on Canadian Writing, no. 65, 1998, pp. 141-164
Description
Discusses aspects of the works of Pauline Johnson that illustrate an interrelationship between issues of identity, Indigenous peoples and legislative amendments.
The English Journal, vol. 93, no. 4, March 2004, pp. 64-69
Description
Examines how the works of Blackfeet author James Welch can be used to overcome Native American stereotypes and be used to explore themes of identity, family and love.