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Aboriginal Children's Hurt & Healing (ACHH) Initiative: First Nation Community Health Video
Aboriginal Intangible Property in Canada: An Ethnographic Review
About Humanity, Not Ethnicity?: Transculturalism, Materiality, and the Politics of Performing Aboriginality on the Northwest Coast
Aesthetics of Indigenous Affinity: Traveling from Chiapas to Palestine in the Murals of Gustavo Chávez Pavón
Agayuliyararput: Our Way of Making Prayer
Áillohaš and His Image Drum: The Native Poet as Shaman
Alfredo Rodriguez
An Analysis of The Task Force on Museums and First Peoples: The Changing Representation of Aboriginal Histories in Museums
Animal Arrays and Geometric Pictorials: Commercial Aspects of Plains Painting
The Anthropology Museum in the Post-Colonial Era: A Case Study on How Indigenous, First Nations Communities are Represented at the UBC Museum of Anthropology in Vancouver
Arches and Awnings: Architecture in the Arctic
Art and Identity: Secondary Students Discovering a “Sense of Self” Through Creating Artworks and Webpages
Art and Spirit: The Artistic Brain, the Navajo Concept of Hozho, and Kandinsky’s “Inner Necessity”
Art as a Mirror of Iroquois Life
An Art of Survivance: Angel DeCora at Carlisle
Art of this Land and the Exhibition of Aboriginal Art at the National Gallery of Canada
The Artist Knows Best: The De-Professionalism of a Profession
Artistic Displacements: An Interview with Edgar Heap of Birds
At the Center of the Controversy: Confronting Ethnic Fraud in the Arts
Australian Cinema and the Spectres of Post-Coloniality: Rabbit-Proof Fence, Australian Rules, The Tracker and Beneath Clouds
Authentic Inuit Art: Creation and Exclusion in the Canadian North
The Authenticity of Cultural Properties in the Russian Far East
B.C. First Nations Studies Teacher's Guide
The Basketmaker
Beads, they're sewn so tight: Resource Guide
Developed in conjunction with an exhibition featuring works by Bev Koski, Katie Longboat, Jean Marhsall, and Olivia Whetung.
Becoming Anthropological: A Cultural Biography of EL Mitchell's Photographs of Aboriginal People
'Behind Indian Teeth': The Use of Humour in Contemporary Native American Film
Studies four films; Smoke Signals, Powwow Highway, Medicine River, and Dead Man.
English in American Studies Thesis (M.A.)--University of Cape Town, 2004.
Between Modernity and "the Real Thing": Maynard Dixon's Mural for the Bureau of Indian Affairs
Bibliography of Native American Bibliographies
Blackfeet Class Play Honored at Conference
Blue Quills First Nations College
Book Review Essays: Art Exhibition Catalogues
Book Reviews
Border Crossings: Thomas King's Cultural Inversions
Bound for the Fair: Chief Joseph, Quanah Parker, and Geronimo and the 1904 St. Louis World’s Fair
Boye Ladd: A Visit from a Friend
Powwow dancer, Boye Ladd, relates traditional teachings on various topics relating to First Nations culture, including information about the sacred drum, respect for other people and groups, and the right to wear an eagle feather.
Entire issue on one pdf. To access article scroll to p.29.
Bridging Past and Present: A Study of Precontact Yup'ik Masks from the Nunalleq Site, Alaska
Can Capitalism Be Decolonized? Recentering Indigenous Peoples, Values, and Ways of Life in the Canadian Art Market
Canadian Aboriginal Adaptations of Shakespeare
Cape Dorset Annual Print Collection 2003
Carving Self-Identity: Hopi Katsina Dolls as Contemporary Cultural Expression
The Cast[e]ing of Heroic Landscapes of Power: Constructing Canada's Pantheon on Parliament Hill
Change Over Time in the Abundance and Distribution of Black Ash in Nova Scotia: Effects on Mi'kmaq Traditional Use, and Recommendations for the Best Germination Technique for Province Wide Replanting Programs
A Chapter Closed?
Chief Lelooska: The Evolution of an Artist
Chief Shaking Spear Rides Again, or The Taming of the Sioux (1975)
Cinema, Culture & Society: Westerns
Circulating Aboriginality
Circulating Regalia and Lakhˇóta Survivance, c. 1900
Looks at the history of two examples of regalia that traveled to France; one with a performer in Buffalo Bill's Wild West show in 1889 and the other worn by a performer at the Jardin d'Acclimation (a human zoo) in Paris in 1911.