Scanned image shows four young students in winter clothing in what appears to be a sled race at a winter carnival held at the Prince Albert Student Residence on March 25, 1975. (bad quality photo)
The Study of Material Culture: The Case of Southwest Textiles
Articles » Scholarly, peer reviewed
Author/Creator
Suzanna Baizerman
Museum Anthropology, vol. 13, no. 2, May 1989, pp. 14-18
Description
Looks at the ethnic boundary art world by using publications on Southwest textiles, especially those done by the Navajo. In this way material culture in general can be studied.
A set of 77 photographs taken in the small community of Sucker River, north of La Ronge, in 1975-76. The community mounted a project to make as many "old things" as the 14 participants in the project could remember from the old days. Many of the objects were made as models, as time and materials did not allow for full-size items.
The Canadian Journal of Native Studies, vol. 9, no. 2, 1989, pp. 205-236
Description
The transformation of First Nation arts and crafts over the past century in response to changing mainstream demand, includes a history of the Indian art and crafts movement.
A photograph of two First Nations men in traditional garb, and a City Official at a ceremony to celebrate the giving of a totem pole to the City of Prince Albert, 1975. The pole was carved by a First Nations man originally from British Columbia, and currently stands along the North Saskatchewan River near the Prince Albert Historical Museum.
A photograph of two First Nations men in traditional garb, and a City Official at a ceremony to celebrate the giving of a totem pole to the City of Prince Albert, 1975. The pole was carved by a First Nations man originally from British Columbia, and currently stands along the North Saskatchewan River near the Prince Albert Historical Museum.
A photograph of two First Nations child dancers in traditional garb, and a drum circle, at a ceremony to celebrate the giving of a totem pole to the City of Prince Albert, 1975. The pole was carved by a First Nations man originally from British Columbia, and currently stands along the North Saskatchewan River near the Prince Albert Historical Museum.
A photograph of two First Nations men and children in traditional garb at a ceremony to celebrate the giving of a totem pole to the City of Prince Albert, 1975. The pole was carved by a First Nations man originally from British Columbia, and currently stands along the North Saskatchewan River near the Prince Albert Historical Museum.
A photograph of First Nations man in traditional garb at a ceremony to celebrate the giving of a totem pole to the City of Prince Albert, 1975. The man is recieving a plaque from what appears to be a City official. The pole was carved by a First Nations man originally from British Columbia, and currently stands along the North Saskatchewan River near the Prince Albert Historical Museum.
The Canadian Journal of Native Studies, vol. 9, no. 2, 1989, pp. 161-186
Description
Using contemporary Huron examples, reviews Native American art history practises in terms of the "new art history" which rejects the "concept of linear evolution culminating with western European art and the equation of artistic with cultural style."
The Canadian Journal of Native Studies, vol. 9, no. 2, 1989, pp. 253-272
Description
Replication of these wooden masks, together with the continued carving and use of False Faces, has contributed to the survival and stability of the Iroquois.