Canada's History, vol. 97, no. 1, February/March 2017, p. 8
Description
Editor's introductory article to issue comments on the exploitation of Indigenous peoples in the late 1800s by photographers looking to capture, "cowboys and Indians".
Art Journal, vol. 51, no. 3, Recent Native American Art, Fall, 1992, pp. 66-73
Description
Author comments on the exhibition mounted by the Canadian Museum of Civilization in 1992 and issues concerning the Aboriginal artistic community in general, such as being the subject or object, rather than the observer.
Feminist Studies, vol. 31, no. 1, Spring, 2005, pp. 64-94
Description
Commentary on how the U.S. Bureau of Indian Affairs (BIA) employed photography to represent social problems and the government's solutions to those problems.
Montana: The Magazine of Western History, vol. 58, no. 3, Autumn, 2008, pp. 3-22, 92-94
Description
Examines how Native communities maintained their social and cultural identities amidst the attempt of middle class whites to preserve their own version of Indian culture.
Ethnohistory, vol. 48, no. 1/2, Winter/Spring, 2001, pp. 337-350
Description
Review essay of:
Weaving Ourselves into the Land: Charles Godfrey Leland, "Indians" and the Study of Native American Religions by Thomas C. Parkhill.
Edward S. Curtis and the North American Indian, Incorporated by Mike Gidley.
Imagining Indians in the Southwest: Persistent Visions of a Primitive Past by Leah Dilworth.
Wild West Shows and the Images of American Indians, 1883-1933. by L. G. Moses.
American Indian Culture and Research Journal, vol. 23, no. 2, 1999, pp. 149-207
Description
Book reviews of:
American Indian Activism: Alcatraz to the Longest Walk edited by Troy Johnson, Joane Nagel, and Duane Champagne.
As We Are Now: Mixblood Essays on Race and Identity edited by William S. Penn.
Cahokia: Domination and Ideology in the Mississippian World edited by Timothy R. Pauketat and Thomas E.
American Indian Culture and Research Journal, vol. 31, no. 2, 2007, pp. 113-166
Description
Book reviews of:
Boarding School Blues: Revisiting American Indian Educational Experiences edited and with an introduction by Clifford E. Trafzer, Jean A. Keller, and Lorene Sisquoc.
Captive Histories: English, French, and Native Narratives of the 1704 Deerfield Raid by Evan Haefeli and Kevin Sweeney.
A Conquering Spirit: Fort Mims and the Redstick War of 1813–1814 by Gregory A. Waselkov.
Crazy Horse: A Lakota Life by Kingsley M. Bray.
Cross-Cultural Collaboration: Native Peoples and Archaeology in the Northeastern United States edited by Jordan E.
Canadian Art, vol. 20, no. 2, Summer, 2003, p. [?]
Description
Listing of the sites and installation dates as well as brief information on the artists participating in this exhibition held in Barrie, Ontario and sponsored by the MacLaren Art Centre.
Examines early Native American cinematic representation in photography and film and discusses how Native filmmakers are reclaiming their stories and retelling them in their own voices.
American Behavioral Scientist, vol. 58, no. 1, Special Issue Title: Indigenous Peoples, Genocide in California, and Politics of the Academy: Inters, January 2014, pp. 145-170
Description
Analyzes photographs taken between the 1890s and 1950s to illustrate how they reflect belief systems and the context in which they were taken.