Western American Literature, vol. 45, no. 3, Fall, 2010, pp. 228-251
Description
Looks at how role reversals and racial imitations in Joe the Painter and the Deer Island Massacre transforms the stereotypical trappings of Indian roles by redescribing and incorporating a sense of the past into the present.
Examines the structural factors behind disproportionality in the system and reviews approaches that go beyond traditional limits of social welfare systems.
Ground-breaking film chronicles twelve hours in the lives of young Native Americans who had migrated to Los Angeles from their reservations during the 1950s. Originally released in 1961.
Duration: 72:00.