Studies in American Indian Literatures, vol. 27, no. 3, Fall, 2015, pp. 1-33
Description
Argues that more attention should be paid to cross-genre nature of Indigenous creative production. Focuses on the recurring single frame cartoon "Acorn Soup" featured in the journal as an example.
Biography, vol. 31, no. 3, Summer, 2008, pp. 397-428
Description
Looks at the journal by Mary Ellicott Arnold and Mabel Reed recounting colonial contact between whites and Indigenous people in the Klamath River Indian Country in 1908–09.
Journal of Psychoactive Drugs, vol. 35, no. 1, Morning Star Rising: Healing in Native American Communities, January-March 2003, pp. 53-58
Description
Interviews graduates of substance abuse treatment program which uses Native American medicine combined with Western models. Presents twelve emerging themes.
Western American Literature, vol. 45, no. 3, Fall, 2010, pp. 228-251
Description
Looks at how role reversals and racial imitations in Joe the Painter and the Deer Island Massacre transforms the stereotypical trappings of Indian roles by redescribing and incorporating a sense of the past into the present.
American Indian Quarterly, vol. 2, no. 4, Winter, 1975-1976, pp. 331-346
Description
An examination of the creation and an analysis of the novel which is a fictional retelling of the author's 1883 report to the Commissioner of Indian Affairs that described the conditions and needs of the Mission Indians in California.
Studies in American Indian Literatures, vol. 30, no. 3-4, Fall-Winter, 2018, pp. 54-71
Description
Describes Miranda’s tribal memoir as an act of resistance which disrupts archival and mainstream narratives around Indigenous nations, dispossession, and human-land relationships. Focuses of female voices and perspectives, and on narrative sovereignty.
American Indian Quarterly, vol. 4, no. 1, 1978, pp. 19-31
Description
An examination of how writer John Muir's views on the American Indigenous populations changed due to his own personal interactions with the Indigenous populations throughout his life.
NAIS: Journal of the Native American and Indigenous Studies Association, vol. 5, no. 1, Spring, 2018, pp. 168-204
Description
Authors document the life the Californian Indigenous man purported to be 121 years old and "last of his race" in 1873 and contemplate what can be learned from investigating the true stories of Indigenous centenarians; discusses the discourse of extinction surrounding centenarians, and the role it plays in the imagination of settler culture.
Journal of Psychoactive Drugs, vol. 37, no. 3, Faces of HIV/AIDS and Substance Abuse in Native American Communities, September 2005, pp. 273-280
Description
Outlines the overlap between sexual, physical and substance abuse and increased HIV risk behaviours amid urban Native women in the San Francisco Bay area.
American Indian Quarterly, vol. 13, no. 4, The California Indians, Autumn, 1989, pp. 471-480
Description
Looks at the historical merits of two Kashaya Pomo oral stories regarding the Hudson Bay Company's 1833 expeditions in California by comparing the stories with Russian and English written accounts from the era.
American Indian Quarterly, vol. 21, no. 2, Spring, 1997, pp. 171-193
Description
Literary criticism article that explores the underlying themes at work in the Autobiography of Delfina Cuero. Discusses bi-culturalism, borderlands theory, ethnocriticism, and transculturation.
American Indian Quarterly, vol. 15, no. 2, Spring, 1991, pp. 171-185
Description
Author examines oral storytelling and the ways that meaning is made in and by the act. Discusses issues of context, timing, cross-cultural engagement, and resistance to colonialism and neocolonialism.