American Indian Culture and Research Journal, vol. 4, no. 3, 1980, pp. 55-74
Description
Study compared 72 Cherokee students to 72 Anglo-American students enrolled in public elementary schools; looked at age and sex trends, cross-cultural differences in cooporative and competitive behaviour, and how those behaviours might affect academic achievement.
The Counseling Psychologist, vol. 18, no. 4, 1990, pp. 628-654
Description
Argues that the training of Aboriginal counseling and community psychologists should move away from conventional counseling to a more culturally sensitive position that includes Aboriginal values.
MELUS, vol. 7, no. 1, The Need for Choice, Spring, 1980, pp. 61-78
Description
Contends that James Welch's novel is strongly influenced by the Gros Ventre and Arapaho cultures, especially the themes of spirituality and commitment to insight.
American Antiquity, vol. 55, no. 3, July 1990, pp. 585-591
Description
Considers the issue of repatriation of human remains as an ethical/cultural conflict within the field of archaeology; discusses means of resolving this conflict based in negotiation and mutual respect; concludes that archaeology must “change the way it does business,” and presents a course for this change.
Georgia Law Review, vol. 24, no. 4, Summer, 1990, pp. 1019-1044
Description
Uses the example of the Iroquois of upper New York to illustrate how Europeans interpreted social structure in terms of their own cultures and belief systems. In this case, the view that Indian men were lazy and the women "drudges" who nevertheless possessed a great deal of power.
American Indian Culture and Research Journal, vol. 4, no. 3, 1980, pp. 1-19
Description
Discusses how the myth and ideas it embodies are foundational to a worldview which informs all relationships, codes of behavior, and ways of governing.
American Indian Culture and Research Journal, vol. 4, no. 1-2, 1980, pp. 165-177
Description
Discusses the attributes and attitudes that make this literature unique and argues that because of this it requires a different approach to literary criticism. Focuses on works by N. Scott Momaday and Leslie Silko.
American Indian Quarterly, vol. 14, no. 1, Winter, 1990, pp. 35-50
Description
Article describes the consultation process and the eventual agreement (1985) between the Tohono O’Odham nation, the Arizona State Museum, and the Bureau of Indian Affairs regarding the exhumations, examination and repatriation of human remains at the San Xavier Bridge site.
Museum Anthropology, vol. 14, no. 2, May 1990, pp. 7-14
Description
An interview with the Zuni Tribal Council to collect information for presentation to museum staff about Zuni culture and express the appreciation the Zuni feel for the return of their sacred War Gods.
American Indian Quarterly, vol. 14, no. 4, Autumn, 1990, pp. 355-366
Description
Article voices the concerns and commentary of Tlingit elders surrounding the effects of secular performance of sacred song and dances and weighs the value of creating cross-cultural understanding against the devaluation of ceremonial practices.
American Indian Culture and Research Journal, vol. 4, no. 4, 1980, pp. 55-83
Description
Focuses on the Europeans' impact on Yurok, Hupa, and Karok peoples and how subsequent changes to religious ceremonies have caused many to refuse to participate in them.
American Indian Quarterly, vol. 14, no. 4, Autumn, 1990, pp. 379-386
Description
Author discusses some of the difficulties raised by teaching pieces of Indigenous literature that contain information considered to be sacred, ceremonial, or confidential.
American Indian Quarterly, vol. 14, no. 4, Autumn, 1990, pp. 367-377
Description
Literary criticism article in which the author considers the role that “spirit animals” play as symbols of adaptation and resistance in Leslie M. Silko’s novel Ceremony.
American Indian Quarterly, vol. 14, no. 1, Winter, 1990, pp. 19-33
Description
Article examines the significance of the Gourd Dance in Kiowa culture from the 1800's on. Discusses the evolution of the dance, the meaning of the regalia used, and how it was used as a method of cultural survivance when the Sundance was outlawed.