Studies in American Indian Literatures, vol. 29, no. 1, Digital Indigenous Studies: Gender, Genre, and New Media, Spring, 2017, pp. 172-175
Description
Special issue on digital Indigenous studies represents a collection of essays about the critical work Indigenous women are performing in their various digital projects.
American Indian Quarterly , vol. 29, no. 3/4, Special Issue: The National Museum of the American Indian, Summer - Autumn, 2005, pp. 466-477
Description
Author describes the short film created to introduce the audience to the National Museum of the American Indian (NMAI) and their role in the production of it.
Transmotion, vol. 3, no. 2, December 6, 2017, pp. 30-52
Description
Author discusses the work of two Indigenous pop-artists and how they appropriate iconic mainstream imagery in order to subvert popular narratives and stereotypes in the Star Wars franchise and in the wider film industry.
Tribal College Journal of American Indian Higher Education, vol. 16, no. 3, Indigenizing Education, Spring, 2005
Description
Discusses a film produced by the student television station at Salish Kootenai College (SKC), Sacred Salmon: A Gift to Sustain Life, that has received national acclaim. The film is about the health of the Columbia River salmon and the Yakama Nation.
Native Studies Review, vol. 16, no. 2, 2005, pp. 39-76
Description
Prior to about 1912, American Indians had significant creative control over the production of silent films, providing an opportunity to express views which contrasted from the Euro-American depictions of them.