Transmotion, vol. 3, no. 2, December 6, 2017, pp. 53-78
Description
Essay discusses Trevino Brings Plenty’s poem "Little, Cultural, Teapot Curio Exposes People" and its relationship to the object it is about, the museum that holds the object, and the social and cultural issue surrounding Indigenous materials in colonial museums.
Studies in American Indian Literatures, vol. 5, no. 2, Series 2: Special Issue, Summer, 1993, pp. 29-33
Description
Discusses self-discovery and self-creation in the poetry of Wendy Rose, and her growth as a poet.
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Transmotion, vol. 3, no. 2, December 6, 2017, pp. 1-29
Description
Literary criticism article discusses themes of survivance and transmotion in Vizenor’s (1978) and Jones’ (2000) debut novels, considers contexts of postmodernism and carceral theory, and the generational difference between the two authors.
American Indian Quarterly, vol. 17, no. 3, Summer, 1993, pp. 319-327
Description
Illustrates how Blackfeet author James Welch uses small surprises, ambiguities, and arguable resolutions to end his novels, thus avoiding the open-and-shut case ending.
American Indian Quarterly, vol. 17, no. 1, Winter, 1993, pp. 45-67
Description
Literary Criticism article in which the author examines the place-based and relational nature of Indigenous spiritual practices, and the treatment of these in the McNickle’s novel.
Studies in American Indian Literatures, vol. 5, no. 2, Series 2: Special Issue, Summer, 1993, pp. 39-45
Description
Looks at various works by Gerald Vizenor, and his vision and dream to restore tribal values.
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Studies in American Indian Literatures, vol. 5, no. 3, Series 2, Fall, 1993, pp. 23-30
Description
Examines how Vizenor enters the role of narrative mediator and intervenes to effect communication and renegotiate the terms of the discourse in works such as, Thomas White Hawk.
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Studies in American Indian Literatures, vol. 29, no. 4, Winter, 2017, pp. 76-101
Description
Seeks to understand the lack of academic attention Strete’s work has received and examines his short stories using several different critical Indigenous perspectives on speculative fiction by Aboriginal or Native American writers.
Studies in American Indian Literatures, vol. 29, no. 4, Winter, 2017, pp. 29-57
Description
Author discusses novel’s criticism of white masculinity and the way in which its nature allows white men to feel that they are offering solidarity Indigenous people while effectively controlling the narrative and undermining sovereignty.
NAIS: Journal of the Native American and Indigenous Studies Association, vol. 4, no. 1, Spring, 2017, pp. 30-60
Description
"This article shows that Ridge's Socrates articles provided a public venue in which to define relationships among the Cherokees, the states, and the federal government".
Transmotion, vol. 3, no. 2, December 6, 2017, pp. 111-128
Description
Article is the transcript of a round table discussion the authors participated in at the Native American Literature Symposium at the Isleta Resort and Casino in Albuquerque, NM, on Thursday March 17, 2016. Panelists were discussing Glen Sean Coulthard's Red Skin, White Masks: Rejecting the Colonial Politics of Recognition.
Studies in American Indian Literatures, vol. 5, no. 4, Series 2, Winter, 1993, pp. 86-100
Description
Book reviews of:
Native American Literatures edited by Laura Coltelli
Alex Posey: Creek Poet, Journalist, and Humorist by Daniel F. Littlefield
Sending My Heart Back Across the Years: Tradition
and Innovation in Native American Autobiography by Hertha Dawn Wong
Choteau Creek: A Sioux Reminiscence by Joseph Iron Eye Dudley
Not First in Nobody’s Heart: The Life Story of a
Contemporary Chippewa by Ron Paquin and Robert Doherty
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American Indian Quarterly, vol. 17, no. 1, 1993, pp. 7-30
Description
Discussion of shadow literature and the language of Indigenous poets and novelists could be the "new ghost dance literature," that is, literature that encourages survival.
Wicazo Sa Review, vol. 9, no. 2, Autumn, 1993, pp. 37-43
Description
Argues that sovereignty is the glue that binds communities together and that the characters in James Welch's novels respond to an Indigenous specific concept of sovereignty.
Article explores the posts and comments from three different Blogs by Indigenous women; examines how intersectional rhetoric is constructed and used in these spaces, and how it serves to defend Indigenous rhetorical sovereignty.
[English] Thesis (Ph.D.)--University of Texas at Austin, 2017.
Refers to the works of Jane Johnston Schoolcraft, Simon Pokagan, E. Pauline Johnson, and Alex Posey.