Studies in American Indian Literatures, vol. 5, no. 2, Series 2: Special Issue, Summer, 1993, pp. 29-33
Description
Discusses self-discovery and self-creation in the poetry of Wendy Rose, and her growth as a poet.
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American Indian Quarterly, vol. 17, no. 3, Summer, 1993, pp. 319-327
Description
Illustrates how Blackfeet author James Welch uses small surprises, ambiguities, and arguable resolutions to end his novels, thus avoiding the open-and-shut case ending.
American Indian Quarterly, vol. 17, no. 1, Winter, 1993, pp. 45-67
Description
Literary Criticism article in which the author examines the place-based and relational nature of Indigenous spiritual practices, and the treatment of these in the McNickle’s novel.
Studies in American Indian Literatures, vol. 5, no. 2, Series 2: Special Issue, Summer, 1993, pp. 39-45
Description
Looks at various works by Gerald Vizenor, and his vision and dream to restore tribal values.
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Studies in American Indian Literatures, vol. 5, no. 3, Series 2, Fall, 1993, pp. 23-30
Description
Examines how Vizenor enters the role of narrative mediator and intervenes to effect communication and renegotiate the terms of the discourse in works such as, Thomas White Hawk.
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Studies in American Indian Literatures, vol. 5, no. 4, Series 2, Winter, 1993, pp. 86-100
Description
Book reviews of:
Native American Literatures edited by Laura Coltelli
Alex Posey: Creek Poet, Journalist, and Humorist by Daniel F. Littlefield
Sending My Heart Back Across the Years: Tradition
and Innovation in Native American Autobiography by Hertha Dawn Wong
Choteau Creek: A Sioux Reminiscence by Joseph Iron Eye Dudley
Not First in Nobody’s Heart: The Life Story of a
Contemporary Chippewa by Ron Paquin and Robert Doherty
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American Indian Quarterly, vol. 17, no. 1, 1993, pp. 7-30
Description
Discussion of shadow literature and the language of Indigenous poets and novelists could be the "new ghost dance literature," that is, literature that encourages survival.
Wicazo Sa Review, vol. 9, no. 2, Autumn, 1993, pp. 37-43
Description
Argues that sovereignty is the glue that binds communities together and that the characters in James Welch's novels respond to an Indigenous specific concept of sovereignty.