Transmotion, vol. 3, no. 2, December 6, 2017, pp. 53-78
Description
Essay discusses Trevino Brings Plenty’s poem "Little, Cultural, Teapot Curio Exposes People" and its relationship to the object it is about, the museum that holds the object, and the social and cultural issue surrounding Indigenous materials in colonial museums.
Transmotion, vol. 3, no. 2, December 6, 2017, pp. 1-29
Description
Literary criticism article discusses themes of survivance and transmotion in Vizenor’s (1978) and Jones’ (2000) debut novels, considers contexts of postmodernism and carceral theory, and the generational difference between the two authors.
Studies in American Indian Literatures, vol. 29, no. 4, Winter, 2017, pp. 76-101
Description
Seeks to understand the lack of academic attention Strete’s work has received and examines his short stories using several different critical Indigenous perspectives on speculative fiction by Aboriginal or Native American writers.
Studies in American Indian Literatures, vol. 29, no. 4, Winter, 2017, pp. 29-57
Description
Author discusses novel’s criticism of white masculinity and the way in which its nature allows white men to feel that they are offering solidarity Indigenous people while effectively controlling the narrative and undermining sovereignty.
NAIS: Journal of the Native American and Indigenous Studies Association, vol. 4, no. 1, Spring, 2017, pp. 30-60
Description
"This article shows that Ridge's Socrates articles provided a public venue in which to define relationships among the Cherokees, the states, and the federal government".
Transmotion, vol. 3, no. 2, December 6, 2017, pp. 111-128
Description
Article is the transcript of a round table discussion the authors participated in at the Native American Literature Symposium at the Isleta Resort and Casino in Albuquerque, NM, on Thursday March 17, 2016. Panelists were discussing Glen Sean Coulthard's Red Skin, White Masks: Rejecting the Colonial Politics of Recognition.
Article explores the posts and comments from three different Blogs by Indigenous women; examines how intersectional rhetoric is constructed and used in these spaces, and how it serves to defend Indigenous rhetorical sovereignty.
[English] Thesis (Ph.D.)--University of Texas at Austin, 2017.
Refers to the works of Jane Johnston Schoolcraft, Simon Pokagan, E. Pauline Johnson, and Alex Posey.