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[3 Plays: If Jesus Met Nanabush; The Tommy Prince Story; Born Buffalo]
Accessing History from Home
Alaska Native Artistic Revitalization
Aluminum Sioux Camps
[American Eyes on Aboriginal Art]
American Indian Art: Teaching and Learning
American Indian Arts and Crafts: The Misrepresentation Problem
American Indian Easter Eggs
American Indians and Popular Culture: Volume 2: Literature, Arts, and Resistance
Ancient Households of the Americas: Conceptualizing What Households Do
An Anthropology of Repatriation: Contemporary Physical Anthropological and Native American Ontologies of Practice
Antler Hair Combs
Discusses characteristics of different types of combs and their uses.
The Artist Knows Best: The De-Professionalism of a Profession
At the Center of the Controversy: Confronting Ethnic Fraud in the Arts
"Basket Becomes Codex: A Poem by Trevino Brings Plenty in the Portland Art Museum"
The Basketmaker
Beyond True or False?: The Artificial Authenticities of Edward S. Curtis: Responses and Reactions
Bound for the Fair: Chief Joseph, Quanah Parker, and Geronimo and the 1904 St. Louis World’s Fair
Brian Honyouti: Send in the Clowns
Bridging Past and Present: A Study of Precontact Yup'ik Masks from the Nunalleq Site, Alaska
Bringing It Home: Artists Reconnecting Cultural Heritage with Community
The Buffalo Dancer: A Southwest Pueblo Cultural Glimpse
Changing Hands 3: CONNECTIONS: Contemporary Native Art in Context
A Chapter Closed?
Chempa, Showinpa, Mefpa, Asumpa, Achepa (To Paint, To Scratch, To Dance, To Flow, To Unite): The Native American Experience in the Hip Hop World
Cinematic Representation of American Indians: A Critical Cultural Analysis of a Contemporary American Indian-Directed Film
Circle of Dance: October 6, 2012-October 8, 2017, The National Museum of the American Indian in New York
Circulating Regalia and Lakhˇóta Survivance, c. 1900
Looks at the history of two examples of regalia that traveled to France; one with a performer in Buffalo Bill's Wild West show in 1889 and the other worn by a performer at the Jardin d'Acclimation (a human zoo) in Paris in 1911.
The Circulation and Silence of Weaving Knowledge in Contemporary Navajo Life
Clan At.óowu in Distant Lands: An Overview of Tlingit Art in European and Russian Museums
Closing the Gap: Ethics and the Law in the Exhibition of Contemporary Native Art
Clothing Styles
Discusses how European fashion influenced Hodinohso:ni styles.
Coming to You From the Indigenous Future: Native Women, Speculative Film Shorts, and the Art of the Possible
The Commission, the Community, and the Cree Woman in the Attic: Georgina Lightning's Older Than America in Canada's Culture of Redress
The Concept of Duality in Culture and Myths of Lakota Indians
Conversations with Remarkable Native Americans
Coyote's Way: Missy Whiteman's Indigenous New Media
Cradle Boards for Babies
Discusses various examples of Mohawk and Seneca boards and the techniques used to create them.
Creating to Compete: Juried Exhibitions of Native American Painting, 1946-1960
Cree Language Resources: An Annotated Bibliography
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: The Last of the Buffalo
Resource uses the painting by Albert Bierstadt to teach close reading skills, allegory and the importance of wildlife conservation. Includes links to interactive puzzle, team-building game, sorting activity, game-based art survey and inquiry study.
Crow Style Bridle Ornament
Cultural imPRINT: A History of Northwest Coast Native and First Nations Prints
The Dance of Person and Place: One Interpretation of American Indian Philosophy
Dancing Amoxtli: Danza Azteca and Indigenous Body Art as Forms of Resistance
Debating Cultural Appropriation
Lesson plan focuses on what cultural appropriation is, how it affects Indigenous peoples and whether it should be regulated by law.
Accompanying Material: Student Version.
Developed in conjunction with the documentary Rumble: The Indians Who Rocked the World.