The Kentucky Center for Native American Art and Culture
Lakota Performers in Europe: Their Culture and the Artifacts They Left Behind
"The Last Indian" Syndrome Revisited: Metamora, Take Two
Lichens: The Challenge for Rock Art Conservation
Lichtenstein's Indian Territory: Linking Two Bodies of Painting Based on Native-American Subjects and Motifs, and Supplementing Them with Historical Objects, A Traveling Exhibition Explores a Little-Known Aspect of Roy Lichtenstein's Career
A Life Cycle Model For Aboriginal Arts Performance in Tourism: Perspectives on Authenticity
Living Homes for Cultural Expression: North American Native Perspectives on Creating Community Museums
Living in a (Schrödinger’s) Box: Jimmie Durham’s Strategic Use of Ambiguity
A Mandan Quilled Hairpiece Wapehnake
The Many Faces of Edward Sherriff Curtis: Portraits and Stories From Native North America
Mazinigwaasowin = Beadwork
Colouring book with text in Ojibwe and English.
The Mechanics of Survivance in Indigenously-Directed Video-Games: Invaders and Never Alone
Medicine through Comics: Wheels Are Turning on the Road to Healing: Native Americans through the Lens of Francophone Graphic Novels
Men's Fancy
[Michif Language Resources: An Annotated Bibliography]
Miniaturisation: A Study of a Material Culture Practice among the Indigenous People of the Pacific Northwest
Anthropology Thesis (PhD) -- University College London, 2017.
Missed Opportunities: Reflections on the NMAI
Missing and Murdered Indigenous Women of North America: Culture as a Tool to Denounce
Mt. Rushmore
The Museum of the Plains White Person
Mythic Frontiers: Remembering, Forgetting, and Profiting with Cultural Heritage Tourism
Native American Fashion: Inspiration, Appropriation, and Cultural Identity
Native American Music and Dance
Unit focuses on the Choctaw and Coushatta, Haudenosaunee (Iroquois), and Illinois cultures.
Native American Music from Wounded Knee to the Billboard Charts: A Document Based Exploration
Lesson uses interviews with Pat Vegas and Redbone from the documentary Rumble: The Indians That Rocked the World as a jumping-off point to examine the U.S. government's efforts to control Native American culture by way of music.
Native American Representation in Museums: A Cross Cultural Comparison of the Effects of Cultural Resources Laws
Native Art, Native Voices: A Resource for K-12 Learners
Native Emergence Theater, 1975-1985, and the Enactment of Indian Theatrical Space by Red Earth Performing Arts Company, Daystar Dance Company and American Indian Theater Company of Oklahoma
Native Moderns: American Indian Painting, 1940-1960
Native Pop: Bunky Echo-Hawk and Steven Paul Judd Subvert Star Wars
Native Space: Geographic Strategies to Unsettle Settler Colonialism
'Nature's Most Beautiful Models': George Catlin's Choctaw Ball-Play Paintings and the Politics of Indian Removal
Navajo Traditions in the Works of David K. John
Never Alone: The Art and the People of the Story
The New Four Winds Guide to American Indian Artifacts
A New Thing?: The NMAI in Historical and Institutional Perspective
A New Thing? The NMAI in Historical and Institutional Perspective
Niitsitapiisini: Our Way of Life: The Story of the Blackfoot People
No Reservations: Native American History and Culture in Contemporary Art: Panel Discussion
No Sense of the Struggle: Creating a Context for Survivance at the NMAI
Noble Savage: Depictions of Native Americans throughout U.S. History
Unit involves students reading and evaluating images by Theodor DeBry, Simon van de Passes, Mathaeus Merian, D.F. Blanchard, George Catlin, John Gast, and Walter Ufer and contemporary photographs.
The "Noble Savage" in American Music and Literature, 1790-1855
Northwest Coast Indian Art: An Analysis of Form (50th Anniversary Edition)
Not All Killed by John Wayne: The Long History of Indigenous Rock, Metal, and Punk: 1940s to Present
Not Jimmie Durham's Cherokee
Not Your Grandfather's Horse: Automobiles Performing the Trickster in Modern and Contemporary Work by Artists from Plains Cultures
Notes on Becoming a Comrade: Indigenous Women, Leadership, and Movement(s) for Decolonization
Author uses her own experiences as non-Indigenous woman of color to explore the challenges in becoming an ally with Indigenous communities fight in their fight for decolonization.