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[3 Plays: If Jesus Met Nanabush; The Tommy Prince Story; Born Buffalo]
American Indian PowWows in Utah, 1983-1994: A Case Study in Oppositional Culture
The Annual MNA Indian Art Exhibitions
Arctic Spirit: 35 Years of Canadian Inuit Art, 1959-1994
The Artist Knows Best: The De-Professionalism of a Profession
At the Center of the Controversy: Confronting Ethnic Fraud in the Arts
"Basket Becomes Codex: A Poem by Trevino Brings Plenty in the Portland Art Museum"
The Basketmaker
Black Hawk's "An Autobiography": The Production and Use of an "Indian" Voice
Bound for the Fair: Chief Joseph, Quanah Parker, and Geronimo and the 1904 St. Louis World’s Fair
Bridging Past and Present: A Study of Precontact Yup'ik Masks from the Nunalleq Site, Alaska
[Buffy Sainte-Marie, Artist and Educator]
A Chapter Closed?
Chief Killer and a New Reality: Narration and Description in Fort Marion Art
Cinematic Representation of American Indians: A Critical Cultural Analysis of a Contemporary American Indian-Directed Film
Circulating Regalia and Lakhˇóta Survivance, c. 1900
Looks at the history of two examples of regalia that traveled to France; one with a performer in Buffalo Bill's Wild West show in 1889 and the other worn by a performer at the Jardin d'Acclimation (a human zoo) in Paris in 1911.
Closing the Gap: Ethics and the Law in the Exhibition of Contemporary Native Art
Coming to You From the Indigenous Future: Native Women, Speculative Film Shorts, and the Art of the Possible
The Commission, the Community, and the Cree Woman in the Attic: Georgina Lightning's Older Than America in Canada's Culture of Redress
The Concept of Duality in Culture and Myths of Lakota Indians
Contemporary Inuit Drawings: The Gift Collection of Frederick and Lucy S. Herman
Coyote's Way: Missy Whiteman's Indigenous New Media
Cree Language Resources: An Annotated Bibliography
Cross-Cultural Controversies in the Design History of Southwestern American Indian Jewellery
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: The Last of the Buffalo
Resource uses the painting by Albert Bierstadt to teach close reading skills, allegory and the importance of wildlife conservation. Includes links to interactive puzzle, team-building game, sorting activity, game-based art survey and inquiry study.
Crow Style Bridle Ornament
Cultural imPRINT: A History of Northwest Coast Native and First Nations Prints
Debating Cultural Appropriation
Lesson plan focuses on what cultural appropriation is, how it affects Indigenous peoples and whether it should be regulated by law.
Accompanying Material: Student Version.
Developed in conjunction with the documentary Rumble: The Indians Who Rocked the World.
Decentering Durham
Decolonizing the Medium: How Indigenous Creators are Defying "Sidekickery” and Centering Indigenous Stories and Characters in the Comics Landscape
DNA Studies of the Ancient Paint Binder/Vehicles Used in Lower Pecos Rock Art Pictographs
Do You Recognize Who I Am? Decolonizing Rhetorics in Indigenous Rock Opera Something Inside is Broken
"Don't Even Talk to Me if You're Kinya'áanii [Towering House]": Adopted Clans, Kinship, and "Blood" in Navajo Country
Early 19th Century Men's Southeast Moccasins in the Creek Style
Eastern Cherokee Creation and Subsistence Narratives: A Cherokee and Religious Interpretation
Edgar Heap of Birds
Ethnic Cleansing, Homestyle
Examining the Gathering of Nations Powwow and a NCCA Division I Basketball Game
Expanding Interpretations of Native American Women's History
Exploring International Repatriation between U.S. Museums and First Nations in Canada
The Fabric of Basketry: Initial Archaeological Study of the Grass Artifacts Assemblage from the Nunalleq Site, Southwest Alaska
Highlights the excavation of grass artifacts near Quinhagak, Alaska and what they can reveal about the precontact Yup'ik people.