[Antimodernism and Artistic Experience: Policing the Boundaries of Modernity]
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Author/Creator
Ruth B. Phillips
Description
Argues that during the period between the 1860s and the 1960s performance art offered the most favourable site for answering to stereotypes such as vanishing, pre-modern and degenerate races. Uses the careers of Ester Deer and Molly Nelson as examples.
Chapter from: Antimodernism and Artistic Experience: Policing the Boundaries of Modernity edited by Lynda Jessup
Arts and Sciences Graduate School Thesis (Ph.D.)---Columbia University, 2001.
Presents analytical review of artistic works including those of James Lavadour, Kay WalkingStick and Hulleah Tsinhnahjinnie.
CultureWork, vol. 6, no. 1, September 2001, p. [?]
Description
Study consisted of literature review, survey of art galleries and interviews with practicing artists. Found that issues with accessibility to markets involved differences in culture, categorization of works as "traditional" or "contemporary", and expectations based on identity.
Highlights the Europeans role change, exploration, and colonization of New France. Includes links to genealogy, explorers, First Nations, and daily life.
Studies in American Indian Literatures, vol. 13, no. 1, Series 2: Representations of American Indians in Contemporary Narrative Fiction Film , Spring, 2001, pp. [3]-22
Description
Discusses critical reception and competing interpretations of the film, and puts forth an alternate theory by examining the character of Chingachgook.
Entire issue on one pdf. To access article, scroll down to appropriate page.