The American Indian Art World and the (Re-) Production of the Primitive: Hopi Pottery and Potters
American Indian Jewelry I: 1,200 Artist Biographies: vol. 5
Angel DeCora: American Artist and Educator
The Anguish of Snails: Native American Folklore in the West
The Artist Knows Best: The De-Professionalism of a Profession
At the Center of the Controversy: Confronting Ethnic Fraud in the Arts
The Basketmaker
Baskets, Pots, and Prayer Plumes: The Southwest Ethnographic Collections of the Smithsonian Institution
Beauty, Honor, and Tradition: The Legacy of Plains Indian Shirts
Bibliography: Who Owns Native Culture?
Bound for the Fair: Chief Joseph, Quanah Parker, and Geronimo and the 1904 St. Louis World’s Fair
Bridging Past and Present: A Study of Precontact Yup'ik Masks from the Nunalleq Site, Alaska
The Casino and the Museum: Imagining the Mashantucket Pequot Tribal Nation in Representational Space
Celebrate Cardinal
A Chapter Closed?
Circulating Regalia and Lakhˇóta Survivance, c. 1900
Looks at the history of two examples of regalia that traveled to France; one with a performer in Buffalo Bill's Wild West show in 1889 and the other worn by a performer at the Jardin d'Acclimation (a human zoo) in Paris in 1911.
Closing the Gap: Ethics and the Law in the Exhibition of Contemporary Native Art
Coacoochee's Bones: A Seminole Saga
The Commission, the Community, and the Cree Woman in the Attic: Georgina Lightning's Older Than America in Canada's Culture of Redress
Counselor Understanding of Native American Spiritual Loss
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: Indian Gallery
"The Cross-Heart People": Race and Inheritance in the Silent Western
Culture and Native American Theater: A Structural Analysis of Diane Glancy's "The Truth Teller"
Death of the Celluloid Maiden: Images of Native American Women in Film
Decentering Durham
Decolonizing the Medium: How Indigenous Creators are Defying "Sidekickery” and Centering Indigenous Stories and Characters in the Comics Landscape
Do You Recognize Who I Am? Decolonizing Rhetorics in Indigenous Rock Opera Something Inside is Broken
"Don't Even Talk to Me if You're Kinya'áanii [Towering House]": Adopted Clans, Kinship, and "Blood" in Navajo Country
Eastern Cherokee Creation and Subsistence Narratives: A Cherokee and Religious Interpretation
[Edward S. Curtis's Photographs: Post-Modernism, Re-enactment, and Contextual Value]
Embodiments of Power: Nineteenth-Century Warrior Art Among the Cheyennes and Kiowas
Emerging from the Mist: Studies in Northwest Coast Culture History
Examining the Gathering of Nations Powwow and a NCCA Division I Basketball Game
The Fabric of Basketry: Initial Archaeological Study of the Grass Artifacts Assemblage from the Nunalleq Site, Southwest Alaska
Highlights the excavation of grass artifacts near Quinhagak, Alaska and what they can reveal about the precontact Yup'ik people.
Follow the Drum
Highlights Gerald Okanee, lead singer of Saskatchewan's Big Bear Singers, who shares his knowledge about the drum and how the beat pits the powwow dancer's style against that of the the drummer's, sometimes "bucking off" the dancer.
Entire issue on one pdf. To access article scroll to p.19.
Four More Indigenous Projects for the Native American Humanities
The George Catlin Indian Gallery in the U.S. National Museum (Smithsonian Institution) with Memoir and Statistics
Gerald Vizenor's Transnational Aesthetics in Blue Ravens
Glass Trade Beads From Reese Bay, Unalaska Island: Spatial and Temporal Patterns
Guidelines for German Museums: Car of Collections from Colonial Contexts
The Heart of Lightness: Hollywood's Wild West Show Revisited
Hearts of Our People: Native Women Artists: Teacher's Guide
For use with exhibition of the same name.
Related material: Interviews with artists.
Historic Choctaw Archaeology: Social Inequality in Post-Removal Southeastern Oklahoma
Holding the Indigenous Voice Hostage
"How Will I Sew My Baskets?": Women Vendors, Market Art, and Incipient Political Activism in Anchorage, Alaska
Hunted and Honoured: Animal Representations in Precontact Masks from the Nunalleq Site, Southwest Alaska
Using archaeological data to better understand the role of animals in precontact Yup'ik communities.