American Indian Culture and Research Journal, vol. 43, no. 4, Fraud in Native American Communities, 2019, pp. 33-36
Description
Artist James Luna discusses what it means to be accepted as an American Indian by examining the criteria for tribal enrollment and critiques the work of self-declared Cherokee artist Jimmie Durham.
American Indian Quarterly, vol. 43, no. 1, Winter , 2019, pp. 1-35
Description
Literary criticism essay that uses Hogan’s novel Solar Storms and the incidents Standing Rock, ND to illustrate a connection between the violence enacted on Indigenous bodies and the social discourses surrounding extractive resource practices. Argues that conscious storytelling could help to reshape the discourse surrounding trauma, the more than human community and environmental/climate justice.
American Indian Culture and Research Journal, vol. 43, no. 4, Fraud in Native American Communities: Essays in Honor of Suzan Shown Harjo, 2019, pp. 41-54
Description
A re-evaluation of Jimmie Durham's work, taking into account the artist's fraudulent claims to Cherokee ancestry and discussion of the implications for scholars, art critics, collectors, and viewers of his works.