American Indian Quarterly, vol. 22, no. 3, Summer, 1998, pp. 343-362
Description
Literary criticism article (from a conference paper) which uses the text Green Grass, Running Water by Thomas King to illustrate the conversation narrative style of many Indigenous authors.
American Indian Quarterly, vol. 22, no. 3, Summer, 1998, pp. 305-325
Description
Contends contemporary authors like Owen's explore the complexites of relationships fundamental to individual and cultural identity in an attempt to rediscover a sense of place and community, but also to bring about political and cultural change.
American Indian Quarterly, vol. 22, no. 4, Autumn, 1998, pp. 469-484
Description
Contends that the authenticity of the autobiographical work, Crashing Thunder edited by Paul Radin, relies in large part on the circumspect confessions of the narrator, Sam Blowsnake, and should be approached as trickster discourse.
American Indian Quarterly, vol. 22, no. 3, Summer, 1998, pp. 259-279
Description
Literary criticism article in which the author examines the ways that Hopkins uses liminality and liminal identity as a means of social critique and of subversion, as well as an intersection of creativity.
American Indian Quarterly, vol. 22, no. 1/2, Winter-Spring, 1998, pp. 104-115
Description
Abbott interviews film producer and director Sandra Sunrising Osawa about her work and how it relates to her family's history, her identity and her sense of place, and the larger cultural survivance and resurgence movements.
American Indian Quarterly, vol. 22, no. 3, Summer, 1998, pp. 326-342
Description
Literary criticism piece in which the author considers the fictional writings and autobiography of Oliver La Farge, who was both a novelist and an anthropologist; argues that La Farge’s work engages in a process of critique of the anthropology and ethnography disciplines.