Chapter in: Anglistentag 2006 Halle: Proceedings (Proceedings of the Conference of the German Association of University Teachers of English) edited by Sabine Volk-Birke and Julia Lippert.
Looks at the western movie Dead Man and the American ideology.
Traces the history of American Indian involvement in the industry from its beginnings with Lloyd Kiva New and the establishment of the Institute of American Indian Arts to the present.
Duration: 45:55.
Wicazo Sa Review, vol. 2, no. 2, Autumn, 1986, pp. 59-65
Description
Argues that the course "Native Music of North America" offered by the Washington State University reflects a significant change in philosophy at the institution.
American Indian Culture and Research Journal , vol. 42, no. 3, Native Narratives of Indigenous History and Culture, 2018, pp. 137-154
Description
Literary criticism piece which argues that Indigenous authors Linda Hogan and Tom Holm make use of the mystery fiction genre to present Indigenous narratives about the historic Osage oil murders, thereby allowing them a wide breadth of exposure.
Focuses on detective narratives. Discusses Street Wolf by Mark Wayne Harris and Dennis Francis, Skinwalker by Nunzio DeFilippis and Christina Weir, and Scalped by Jason Aaron and R. M. Guéra.
The Saint Louis Art Museum Bulletin, vol. 20, no. 1, New Series, Summer, 1991, pp. 1-47
Description
Discusses the environmental aspects influencing art in the following regions: Northwest Coast of Canada and Alaska, California, the Southwest, Plains and Eastern Woodlands.
Studies in American Indian Literatures, vol. 20, no. 4, Winter, 2008, pp. 98-101
Description
Book review of: Native North American Theater in a Global Age: Sites of Identity Construction and Transdifference by Birgit Däwes.
Entire issue on one pdf. Scroll to page 98 to access review.
Transmotion, vol. 3, no. 2, December 6, 2017, pp. 30-52
Description
Author discusses the work of two Indigenous pop-artists and how they appropriate iconic mainstream imagery in order to subvert popular narratives and stereotypes in the Star Wars franchise and in the wider film industry.
The International Journal of the History of Sport, vol. 23, no. 2, March 2006, pp. 138-153
Description
Comments on a series of ball-play paintings that provide an opportunity to investigate Euro-American perceptions of Native American ball-play or lacrosse in the early nineteenth century.
American Anthropologist, vol. 72, no. 1, New Series, February 1970, pp. 9-34
Description
Analyzes films produced by selected on-reserve Navajo people for cultural and verbal grammar, narrative style and methods, the social organization of learning filmmaking, and choice of subjects and actors.
American Indian Culture and Research Journal, vol. 20, no. 3, Special Issue on The Shadow Catcher: The Uses of Native American Photography, 1996, pp. 83-91
Description
Looks at Navajo photography from a Navajo’s point of view, both as subject and as photographer.
American Indian Culture and Research Journal , vol. 5, no. 1, 1981, pp. 47-63
Description
Uses correspondence of J. L. Hubbell to look at his influence on the development of weaving art in terms of colour, design, fibers, yarn, construction, and usage.