Balancing History
Created to be used with the article Warp, Weft, Weave: Joining Generations published in vol. 53, Issue, 3, 2020 of British Columbia History magazine. Designed for students in Grades 8 to 12.
Can Capitalism Be Decolonized? Recentering Indigenous Peoples, Values, and Ways of Life in the Canadian Art Market
Cathedral Grove
Coast Salish Textiles: From ‘Stilled Fingers’ to Spinning an Identity
Commemorating Father Pandosy: Diversification of the Frontier Cultural Complex and Continued Colonial Erasure in Kelowna
Commemorating John A. Macdonald: Collective Remembering and the Structure of Settler Colonialism in British Columbia
Contested Spaces, Shared Places: The Museum of Anthropology at UBC, Aboriginal Peoples, and Postcolonial Criticism
Curatorial Practice in Anthropology: Organized Space and Knowledge Production
Entwined Histories: The Creation of the Maisie Hurley Collection of Native Art
Finding Our Way: Discussion Guide
Finding Our Way: Film Screenings and Community Based Dialogues in Burns Lake: Summary Report
First Peoples' Heritage, Language & Culture Council
Global Indigeneities Views From Near and Far
How Raven Steals the Sun: Retold and Drawn by Quentin Harris
Salish artist retells the traditional story while drawing step-by-step visual interpretation.
Duration: 1:30:23.
Iljuwas Bill Reid: Life & Work
Indigenous Repatriation Handbook
Lighting Fires: Re-Searching Sexualized Violence with Indigenous Girls in Northern Canada
Mils and Eekwol feat. Luckyiam - "The Gauntlet" Music Video
Now Is the Time
Reviews Haida filmmaker Christopher Auchter short film Now Is the Time. The films acts as a sequel to the 1970 National Film Board of Canada short film This Was the Time documenting the raising of the first totem pole on Haida Gwaii. To view article scroll down to page 130.
Page 5 Chatter
Article presents three different news reports: Inquiry into the investigation of serial killer Willie Pickton, the Métis Nation-Saskatchewan's 2004 election scandal, and the Great Bear Rainforest RAVE project.
Entire issue on one pdf. To access article scroll to p.5.
Raven Feather and the Tsimshian: A Look at The Mountain Goats of Temlaham illustrated by Elizabeth Cleaver
Raven Imagery in Northwest Coast Indian Art
[Red: A Haida Manga]
Remembering and Repatriation: The Production of Kinship, Memory and Respect
Repatriation, Digital Technology, and Culture in a Northern Athapaskan Community
Repertoires for Supporting Sovereignty: The Protocols for Native American Archival Materials and Dance Information in Vancouver
Revealing Blue on the Northern Northwest Coast
S'abadeb--The Gifts: Pacific Coast Salish Art and Artists
Shaunee Casavant - Backstory: Nuuchaanulth Ceremonial Curtains and the Work of Ki-Ke-In
Switchbacks: Art, Ownership, and Nuxalk National Identity
Tah'lum Indigenous Artist Collective Colouring Book: Volume 1: Michif and Lekwungen
"These Paintings Have Spirit": Voices Found in Childhood Artwork from Indian Residential Schools
Today Your Host is Speaking Out: Ideology, Identity, and the Land in Hachivi Edgar Heap of Birds's Native Hosts
The Transformative Power of T'xwelátse: A Collaborative Case Study in Search of New Approaches to Indigenous Cultural Repatriation Processes
UDeyenz Lhuy Belh Nandlagh: A Story of Transformations
Welcoming the Wild Salmon Caravan: Socially Engaged Art as a Decolonizing Practice
Art Education (MA) -- Concordia University, 2020.