Art, Identity and Culture: The Politicization of Contemporary Northwest Coast First Nations Art
Behind the Buckskin Curtain: Aboriginal Youth Participation in Spiritual Ceremonies Combined With Drama Activities
Birds, Trees, Stones, and Politics: Agency & Ecology in Some Recent B.C. Performance
Can Capitalism Be Decolonized? Recentering Indigenous Peoples, Values, and Ways of Life in the Canadian Art Market
Conspicuous Consumption: An Intercultural History of the Kwakwaka'wakw Hamat'sa
Contact Zones: Aboriginal and Settler Women in Canada's Colonial Past
Cultural imPRINT: A History of Northwest Coast Native and First Nations Prints
The Exploration of Northwest Coast Indian Art, 1774-2003
Exploring Autism and Music Interventions through a First Nations Lens
Exploring International Repatriation between U.S. Museums and First Nations in Canada
Exploring the Relocation Experiences of Female Indigenous Youth in Foster Care through Storywork
First Nations Youth Reframing the Focus: Cultural Knowledge as a Site for Health Education
First Peoples' Heritage Language & Culture Council: Government Service Plan 2003/4-2005/6
"Free Your Mind," from the Series Crazymaking (2007)
From Cultural Salvage to Brokerage: The Mythologization of Mungo Martin and the Emergence of Northwest Coast Art
From Negative to Positive: B.A. Haldane, Nineteenth Century Tsimshian Photographer
Gyáa'aang: Totem Poles
Lesson teaches the cultural significance of totems poles, how they're constructed and Haida vocabulary relating to them. Designed for Grades K-1.
Accompanying Material: Teacher Resources.
"Here Comes the Band!": Cultural Collaboration, Connective Traditions, and Aboriginal Brass Bands on British Columbia's North Coast, 1875-1964"
In/consequential Relationships: Refusing Colonial Ethics of Engagement in Yuxweluptun’s Inherent Rights, Vision Rights
Indigenous Repatriation Handbook
Lighting Fires: Re-Searching Sexualized Violence with Indigenous Girls in Northern Canada
The Listener: Remembering The Dane-zaa Soundscape Recordings of Howard Broomfield
Living Tradition: The Kwakwaka'wakw Potlatch on the Northwest Coast
The Many Faces of Edward Sherriff Curtis: Portraits and Stories From Native North America
National Visions, National Blindness: Canadian Art and Identities in the 1920s
Navigating the Challenges of the Art Book Market: Co-publishing Raven Travelling
Northwest Coast Indian Art: An Analysis of Form (50th Anniversary Edition)
An Overview of Pacific Northwest Native Indian Art
“Please mom? Can you please download it at home?”: Video Games as a Symbol of Linguistic Survivance
Pop Culture Confronts British Columbia's Colonial History
Potlucks, Bingo and Roadtrips: The Prince George Métis Elders Oral History Video Project
Presenting and Representing Culture: A History of Stó:lō Interpretive Centres, Museums and Cross-Cultural Relationships, 1949-2006
Province Honors Women
For Women's History Month, ten Aboriginal women from British Columbia were honored for their contributions to the political and cultural lives of their communities.
Entire issue on one pdf. To access article scroll to p.16.
"Raven's Reprise": A Significant Juncture in the Developing Exhibition Practices of Canadian Museums With Regard to First Nations Art
Ravens, Wolves, sevenFrogs and oneCow: Silk Screen Prints by First Nations Artists of the Canadian Northwest Coast
Reclaiming Territories through Indigenous Performance
Reflections on Rethink150: Indigenous Truth
Revealing Blue on the Northern Northwest Coast
The Road Forward
Musical documentary traces Indigenous rights activism from the founding of the Indian of Brotherhood of B.C. in the 1930s to the present day. Duration: 1:41:00.
The Social Life of Sound: Urban Indigenous Youth, Hip Hop and Hardcore
Stepping Out of the Shadows of Colonialism to the Beat of the Drum: The Meaning of Music for Five First Nations Children with Autism in British Columbia
Survivance, Signs, and Media Art Histories: New Temporalities and Productive Tensions in Dana Claxton’s Made To Be Ready: A Review Essay
Susan Point: Spindle Whorl: Teacher's Study Guide
Although designed to accompany class visit to an exhibition of the Musqueam artist's work, can be used alone.
Switchbacks: Art, Ownership, and Nuxalk National Identity
"These Paintings Have Spirit": Voices Found in Childhood Artwork from Indian Residential Schools
A Tradition of Evolution: The Vancouver Indigenous Media Arts Festival
Ts'úu isgyáan Sgahláang = Yellow and Red Cedar
Science unit also teaches the Haida language. Intended for Grades K-2.
Related Material: Teacher Resources.