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Behind the Buckskin Curtain: Aboriginal Youth Participation in Spiritual Ceremonies Combined With Drama Activities
Birds, Trees, Stones, and Politics: Agency & Ecology in Some Recent B.C. Performance
Cathedral Grove
Coast Salish Textiles: From ‘Stilled Fingers’ to Spinning an Identity
Conspicuous Consumption: An Intercultural History of the Kwakwaka'wakw Hamat'sa
Contact Zones: Aboriginal and Settler Women in Canada's Colonial Past
Contested Spaces, Shared Places: The Museum of Anthropology at UBC, Aboriginal Peoples, and Postcolonial Criticism
Curatorial Practice in Anthropology: Organized Space and Knowledge Production
Entwined Histories: The Creation of the Maisie Hurley Collection of Native Art
The Exploration of Northwest Coast Indian Art, 1774-2003
Finding Our Way: Discussion Guide
Finding Our Way: Film Screenings and Community Based Dialogues in Burns Lake: Summary Report
First Nations Youth Reframing the Focus: Cultural Knowledge as a Site for Health Education
First Peoples' Heritage, Language & Culture Council
First Peoples' Heritage Language & Culture Council: Government Service Plan 2003/4-2005/6
From Cultural Salvage to Brokerage: The Mythologization of Mungo Martin and the Emergence of Northwest Coast Art
From Negative to Positive: B.A. Haldane, Nineteenth Century Tsimshian Photographer
Global Indigeneities Views From Near and Far
Gyáa'aang: Totem Poles
Lesson teaches the cultural significance of totems poles, how they're constructed and Haida vocabulary relating to them. Designed for Grades K-1.
Accompanying Material: Teacher Resources.
"Here Comes the Band!": Cultural Collaboration, Connective Traditions, and Aboriginal Brass Bands on British Columbia's North Coast, 1875-1964"
The Many Faces of Edward Sherriff Curtis: Portraits and Stories From Native North America
Mils and Eekwol feat. Luckyiam - "The Gauntlet" Music Video
National Visions, National Blindness: Canadian Art and Identities in the 1920s
Navigating the Challenges of the Art Book Market: Co-publishing Raven Travelling
An Overview of Pacific Northwest Native Indian Art
Page 5 Chatter
Article presents three different news reports: Inquiry into the investigation of serial killer Willie Pickton, the Métis Nation-Saskatchewan's 2004 election scandal, and the Great Bear Rainforest RAVE project.
Entire issue on one pdf. To access article scroll to p.5.
Potlucks, Bingo and Roadtrips: The Prince George Métis Elders Oral History Video Project
Presenting and Representing Culture: A History of Stó:lō Interpretive Centres, Museums and Cross-Cultural Relationships, 1949-2006
Province Honors Women
For Women's History Month, ten Aboriginal women from British Columbia were honored for their contributions to the political and cultural lives of their communities.
Entire issue on one pdf. To access article scroll to p.16.
Raven Feather and the Tsimshian: A Look at The Mountain Goats of Temlaham illustrated by Elizabeth Cleaver
Raven Imagery in Northwest Coast Indian Art
"Raven's Reprise": A Significant Juncture in the Developing Exhibition Practices of Canadian Museums With Regard to First Nations Art
Ravens, Wolves, sevenFrogs and oneCow: Silk Screen Prints by First Nations Artists of the Canadian Northwest Coast
[Red: A Haida Manga]
Remembering and Repatriation: The Production of Kinship, Memory and Respect
Repatriation, Digital Technology, and Culture in a Northern Athapaskan Community
S'abadeb--The Gifts: Pacific Coast Salish Art and Artists
Shaunee Casavant - Backstory: Nuuchaanulth Ceremonial Curtains and the Work of Ki-Ke-In
Switchbacks: Art, Ownership, and Nuxalk National Identity
Switchbacks: Art, Ownership, and Nuxalk National Identity
Today Your Host is Speaking Out: Ideology, Identity, and the Land in Hachivi Edgar Heap of Birds's Native Hosts
The Transformative Power of T'xwelátse: A Collaborative Case Study in Search of New Approaches to Indigenous Cultural Repatriation Processes
Ts'úu isgyáan Sgahláang = Yellow and Red Cedar
Science unit also teaches the Haida language. Intended for Grades K-2.
Related Material: Teacher Resources.