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Afterword: Antiracist Activism in the Arts Community
Art, Activism and the Creation of Awareness of Missing and Murdered Indigenous Women and Girls (MMIWG); Walking with Our Sisters, Redress Project
Art Toronto 2001
Asingit: Inuit Art from the Macdonald Stewart Centre
Assimilation and Difference: Two Recent Exhibitions of Archival Photographs
Auctioning Inuit Art
Avataq Cultural Institute: Keeping Inuit Culture Afloat
Balancing History
Created to be used with the article Warp, Weft, Weave: Joining Generations published in vol. 53, Issue, 3, 2020 of British Columbia History magazine. Designed for students in Grades 8 to 12.
Baskets: Carrying a Culture: The Distinctive Regional Styles of Basketmaking Nations in the Pacific Northwest
Between Lines and Beyond Boundaries: Alootook Ipellie's Entanglements of Space
Examines the work of activist Alootook Ipellie to show how it reflects Inuit perspectives on housing, animals and land.
Bill Reid (1920-1998): In Memoriam
Border Under Siege: An Author's Attempt to Reconcile Two Cultures
Building Aboriginal Economies
Commemorating John A. Macdonald: Collective Remembering and the Structure of Settler Colonialism in British Columbia
Consumers of Indigenous Canadian Aboriginal Textile Crafts
Culture Inspires Art: Featuring First Nations, Métis, and Inuit Artists
Daphne Odjig: Indigenous Art and Contemporary Curatorial Practices
Depicting the Inner Reality: A Conversation with Joel Maniapik
Exhibits of Truth and Reconciliation: Creating Empathetic Spaces for Indigenous Narratives in Canada
Five Suggestions for Better Living
Floyd Kuptana
Fluidity of Meaning: Flag Imagery in Plains Indian Art
Focus On: Artists From the Western Territory
Focus On: Bill Nasogaluak, Masterful Apprentice
Focus on: Mayureak Ashoona
Graphic Indigeneity : Comics in the Americas and Australasia
The Gwich'in Traditional Caribou Skin Clothing Project: Repatriating Traditional Knowledge and Skills
Hand Crafted: Creating a Market for Canada's Northwest Coast Native Arts and Crafts
How Raven Steals the Sun: Retold and Drawn by Quentin Harris
Salish artist retells the traditional story while drawing step-by-step visual interpretation.
Duration: 1:30:23.
Iljuwas Bill Reid: Life & Work
In Our Own Words: Bringing Authentic First Peoples Content to the K-3 Classroom
The Inconvenient Indian
Documentary inspired by the non-fiction book of the same name by Thomas King explores historical attitudes and efforts to colonize Indigenous peoples and contemporary expressions of resistance.
Duration: 1h, 29 min.
Inuit Art: 1950-2000
The Inuit Art Foundation
Iqqaipaa: Celebrating Inuit Art 1948-1970
Irene Avaalaaqiaq: Myth and Reality
Joseph Sanchez's Soft Light
Examines the paintings of Joseph Sanchez and how they reflect different conceptions of time and space.
Keeping the Fire Alive
Metis Women's Traditional Art Series
Four videos discuss history and techniques of finger weaving, embroidery, rug-making, and beadwork.
Musqueam Weavers: Musqueam Weaving Through The Personal Stories of Weavers
Nuna Parr: A Hunter's Perspective
Nuvisavik: The Place Where We Weave
Nuvisavik: The Place Where We Weave
Ohito Ashoona
On Crossing Lines and Going Between: An Interview with Marjorie Beaucage
One Arrow Pow Wow July 12 2002. - Slide.
Historical note:
One Arrow Cree First Nation signed Treaty 6 on September 6, 1878; while the One Arrow Reserve is located 53 km southwest of Prince Albert, the band has a total of 9,331.4 ha surrounding the South Saskatchewan River. This band settled on its reserve late in the autumn of 1880, in what was considered a fine location to begin agricultural development. As the chief was old, a headman by the name of Crowskin was in charge of the band in 1882, and contributed much to its development.One Arrow Pow Wow July 13/14 2002. - Slide.
Historical note:
One Arrow Cree First Nation signed Treaty 6 on September 6, 1878; while the One Arrow Reserve is located 53 km southwest of Prince Albert, the band has a total of 9,331.4 ha surrounding the South Saskatchewan River. This band settled on its reserve late in the autumn of 1880, in what was considered a fine location to begin agricultural development. As the chief was old, a headman by the name of Crowskin was in charge of the band in 1882, and contributed much to its development.One Arrow Pow Wow July 13/14 2002. - Slide.
Historical note:
One Arrow Cree First Nation signed Treaty 6 on September 6, 1878; while the One Arrow Reserve is located 53 km southwest of Prince Albert, the band has a total of 9,331.4 ha surrounding the South Saskatchewan River. This band settled on its reserve late in the autumn of 1880, in what was considered a fine location to begin agricultural development. As the chief was old, a headman by the name of Crowskin was in charge of the band in 1882, and contributed much to its development.