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Barry Pottle's Photography Explores Inuit Objectification by ID Tags
Beyond a Number: Inuit Photo Exhibit Brings Controversial 'Eskimo' I.D. System to Light
The Canadian Indian
Cracking the Glass Ceiling: Contemporary Inuit Drawing
Cultural imPRINT: A History of Northwest Coast Native and First Nations Prints
Disposable Red Woman: Guerrilla Art
Exploring the Relocation Experiences of Female Indigenous Youth in Foster Care through Storywork
Federation of Sask Indian Nations Elect Roland Crowe as Their New Chief
[Female Inuk Child With Two Dogs]
[Female Inuk Child With Two Dogs]
Folk Art? Fine Art?
Foundation Poured at the District Chief's Building, Prince Albert
Framing the Past
"Free Your Mind," from the Series Crazymaking (2007)
Gambling on Authenticity: Gaming, the Noble Savage, and the Not-So-New Indian
Glimpsing Our Past: An Archival Photo Project
The Great Shimmering
A History of the Upper Athabasca Valley in the Nineteenth Century
Focuses on Jasper House.
Iconoclastic Reflections on Collecting Inuit Art
In/consequential Relationships: Refusing Colonial Ethics of Engagement in Yuxweluptun’s Inherent Rights, Vision Rights
In the Balance: Indigeneity, Performance, Globalization
An Interview with Susan Point
The Inuit Phenomenon in Art-Historical Context
Jack Shadbolt and the Coastal Indian Image
Japanese Artists on Inuit Printmaking: Challenge and Response
Keeveeok, Awake!: Mamnguqsualuk and the Rebirth of Legend at Baker Lake: An Exhibition Held at the Ring House Gallery, November 20,1986 to January 11, 1987 ...
Kent Monkman: A Trickster With a Cause Crashes Canada's 150th Birthday Party
Kinscapes, Counter Histories, and Nineteenth-Century Tintypes
Examines a photograph of a North-West Mounted Police officer to discuss how Kinscape can be used to discover more interpretive possibilities within the history of the prairies.
Learn about Western Canada in the Early 1900s through the Art of C.D. Hoy: Teacher Resource Guide for Grades 7-12
Hoy was a photographer who worked in Quesnel, British Columbia at the start of the twentieth century, when the Fraser River and Cariboo Gold Rushes were taking place, resulting in different cultural groups coming together in one location. Many of his portraits were of Indigenous people living in the area. Designed to complement the online exhibition Through the Lens of C.D. Hoy: How a Chinese Canadian Photographer Memorialized a Community.
Living Tradition: The Kwakwaka'wakw Potlatch on the Northwest Coast
[Male Inuk Child]
Native Images: Bateman/McKay Photo Collection: Trip to LaRonge, Saskatchewan, 1919
New District Chiefs Office Complex Work Continues, Prince Albert
Northwest Coast Indian Art: An Analysis of Form (50th Anniversary Edition)
Pop Culture Confronts British Columbia's Colonial History
Raise a Flag: Works from the Indigenous Art Collection (2000-2015): Education Guide
Recognition on Settler Terms: The Canadian Handicrafts Guild
and First Nations Craft from 1900 to 1967
Red: The Eiteljorg Contemporary Art Fellowship
Reflections on Rethink150: Indigenous Truth
A Response to the Japanese Printmakers
Saskatchewan History - The First Peoples: Plains First Nations
Showing and Telling the Story of Nikis (My Little House): An Arts-Based Autoethnographic Journey of a Cree Adult Educator
Sovereign Graffiti on Haida Gwaii
Staying in Place: Plains Metis Borderland Communities, 1885-1930
Survivance, Signs, and Media Art Histories: New Temporalities and Productive Tensions in Dana Claxton’s Made To Be Ready: A Review Essay
Susan Point: Spindle Whorl: Teacher's Study Guide
Although designed to accompany class visit to an exhibition of the Musqueam artist's work, can be used alone.