Allen Ahenakew, Interpreter, and E.R. Conn, Federal Supervisor of Indian Affairs, at microphones at the Trappers Convention in Prince Albert, SK, 1961.
Inuit Art Quarterly, vol. 13, no. 2, Summer, 1998, pp. 30-32
Description
Curatorial notes for exhibition of the same name mounted at the Winnipeg Art Gallery, Manitoba, 1998
Entire issue on one pdf. To access article, scroll to page 30.
Inuit Art Quarterly, vol. 13, no. 3, Making Art in Nunavik, Fall, 1998, pp. 49-51
Description
Curatorial notes for an exhibition of the same name mounted at the National Gallery of Canada, Ottawa, Ontario, April 10 to October 18, 1998.
Entire issue on one pdf. To access article, scroll to page 49.
Inuit Art Quarterly, vol. 13, no. 4, Winter, 1998, pp. 36-37
Description
Exhibition review from the MacDonald Stewart Art Centre, Guelph, Ontario, 1998 curated by Chandler Kirwin and Judith Nasby.
Entire issue on one pdf. To access article, scroll to page 36.
Canadian Journal of Communication, vol. 23, no. 1, [Monopolies of Knowledge in the University and Society], Winter, 1998, pp. [31-?]
Description
Questions about art and whether it should be referred to in the western sense or whether art is the repository and communicator of those with culturally specific knowledge.
A brief overview of the history of Fort Battleford created for Fort Battleford National Historic Park in 1961. Produced by the Department of Northern Affairs and National Resources: National Historic Sites Division. The booklet covers the Forts origins as a police post, the events of the 1885 uprising, and the decline of the fort as well as the establishment of a park.
Provides information about aboriginal ceramics and pottery-making. Includes links to a virtual exhibition, pottery-making techniques, and conservation.
Inuit Art Quarterly, vol. 13, no. 2, Summer, 1998, p. 43
Description
Curatorial notes of an exhibition mounted at the Winnipeg Art Gallery, February 1 to September 6, 1998.
Entire issue on one pdf. To access article, scroll to page 43.
Canadian Journal of Native Studies, vol. 18, no. 2, 1998, pp. 203-232
Description
Discusses the changing depictions of lake sturgeon (Acipenser fulvescens) in the stories and images and compares Indigenous to non-Indigenous representations.
Book review of: Images of Justice: a Legal History of the Northwest Territories as Traced Through the Yellowknife Courthouse Collection of Inuit Sculpture by Dorothy Harley Eber.
File contains 4 negatives of performers on stage at the Indian Metis [illegible] Concert on November 24, 1961. The first negative shows a young boy on stage performing a dance. The second shows a man playing the accordion. The third shows a large group of women singing with alongside a piano playing accompaniest. The fourth shows a man with a guitar accompanying a woman singing. The fifth shows a man either singing or announcing at a microphone.
"National publication for the Indians of Canada". Focus on Indigenous issues, events at residential schools and legal decisions. Previously published as Indian Missionary Record.
Articles reflect the attitudes and polices of the time.
"National publication for the Indians of Canada". Focus on Indigenous issues, events at residential schools and legal decisions. Previously published as Indian Missionary Record.
Articles reflect the attitudes and polices of the time.
Scanned negative shows female students in uniform with an instructor on Visiting Day held on March 8, 1961 at the Prince Albert Indian School (presumably All Saints Residential School).
Canadian Journal of Native Studies, vol. 18, no. 2, 1998, pp. 335-373
Description
Interviews with three visual artists whose work emphasizes cultural meanings within the film and video work by Loretta Todd and photography by Shelley Niro and Patricia Deadman.
John Diefenbaker speaking to reporters as aboriginal children look on. Taken during his trip to open the town of Inuvik, North West Territories, 21 July 1961. An RCMP officer is partially visible behind Diefenbaker.
Female elder seated indoors next to window. Annotation on back of photo: 61-321-33: Jossette Morris, 75 year old Chipewyan Indian, who lives at Patuanak, works on birch bark baskets. Lacing is made from dyed birch roots.
The scanned image shows a shot of someone dressed as Santa Claus with a group of children and a school official at the Kinsmen Christmas Party at the Indian School (All Saints?) in Prince Albert, Saskatchewan taken on December 17, 1961.
Inuit Art Quarterly, vol. 13, no. 3, Making Art in Nunavik, Fall, 1998, pp. 4-17
Description
Comments on historical highlights including the role missionaries and employees of the Hudson's Bay Company played in the development of carving.
Entire issue on one pdf. To access article, scroll to page 4.
On information card: "Mrs. Andela Solomon, Patuanak, 75 year old Chipewyan Indian, working on a birch bark basket, an art she learned from her mother. Also makes moccasins decorated with porcupine quills, almost a lost art amongst the Indians."
Olive Diefenbaker, wife of the Prime Minister, receives a bouquet from a happy Aboriginal child at Whitehorse in 1961. An Aboriginal woman watches and a Red Ensign is visible behind them.