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Aboriginal Curatorial Collective / Collectif des commissaires autochtones
All My Relations: A Work of Art
Looks at an enormous art mural featuring five themed paintings including a memorial for missing and murdered Aboriginal women.
Entire issue on one pdf. To access article scroll to p.22.
Arctic Defenders
[The Art of Mary Anne Barkhouse]
Artful Destination
Artist-Run Organizations and the Restoration of Indigenous Cultural Sovereignty in Toronto, 1970 to 2010
Barking up the Right Tree: Understanding Birch Bark Artifacts from the Canadian Plateau, British Columbia
Before Truth: Memory, History and Nation in the Context of Truth and Reconciliation in Canada
Beyond the Mirror: Indigenous Ecologies and 'New Materialisms' in Contemporary Art
Bill Holm-Publications
Capturing the Experiences of FASD Prevention Workers Through Quilting
Challenging Tradition, Challenging Pop Art: Sonny Assu
Charles Edenshaw and Melting Glaciers
Chronology [Charles Edenshaw Exhibition]
[Coast Salish Art in the 21st Century]
The Coast Salish: Connecting Art, Environment and Traditions
Concrete (Indian) Futures: In Conversation with Nadya Kwandibens - Andrea Zeffiro
Congregation outside church
Conveying Traditional Indigenous Culture: From Ethnographic Film to Community-Based Storytelling
Coppers from From the Hood: Haida Manga Interventions and Performative Acts
Creating for Culture: Edenshaw's Haida Roots and Cultural Transformations
Da.A.XIIGang, Charles Edenshaw, "Master Carpenter"
Dakota Stone Head Wand
Draw, Draw, Draw and Keep on Drawing
Looks at Inuit artist, Kenojuak Ashevak, whose artwork was featured on Canada's 1970 six cent stamp.
Entire issue on one pdf. To access article scroll to p.30.
Driving With the Driven: A Re(-)view of the Trail of Tears in the Roadside Montage
"Drum Connection" Aboriginal Grad 2013
Edenshaw's Legacy in Contemporary Art
Ełexègots'edo: Sharing Our Stories
"A collection of stories and photographs of objects from the Tłı̨chǫ region".
An Exploratory Study on the Use of Photovoice as a Method For Approaching FASD Prevention in the Northwest Territories
The Face Pullers: Ch.3 Images - Father Levern OMI and Students of Residential School
Photograph of Father Levern and the students of residential school on Piegan Reserve near Brocket Alberta. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch. 3 Images - Indian Children
Image of two Indigenous children, a boy and a girl, very young taken on Cold Lake Reserve. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Inside the Rectory
A group of Indigenous peoples in western clothes taken inside of the Rectory in Hobbema Alberta. From left to right, seated and then standing: Miss Goodeye, Marie Louise Little Child, Marguerite Kanowalch-Biche, Eugenie Cardinal, Johnny Little Child. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.