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Barry Pottle's Photography Explores Inuit Objectification by ID Tags
Beyond a Number: Inuit Photo Exhibit Brings Controversial 'Eskimo' I.D. System to Light
Bishop Newnham distributing a treat to the Native peoples
Cracking the Glass Ceiling: Contemporary Inuit Drawing
Cultural imPRINT: A History of Northwest Coast Native and First Nations Prints
Disposable Red Woman: Guerrilla Art
Exploring the Relocation Experiences of Female Indigenous Youth in Foster Care through Storywork
The Face Pullers: Ch.1 Images - Ceremony of Erecting Sundance Lodge
The Face Pullers: Ch.3 Images - Betty Hunter-Stoney
The Face Pullers: Ch.3 Images - Boys of the Indian Reserve, Saskatoon
Black and white photograph of a group of Indigenous men on the White Cap Reserve seated in an early automobile as Charlie Eagle turns the crank. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Indian Delegation to Meet Sir Wilfrid Laurier, Lloydminster
Black and white photograph of a group of indigenous men comprising a delegation to meet Sir Wilfred Laurier in Lloydminster, including, (from front left) Fox, Mr. Quinney Sr. John Calling Bull, Napeview, Feather Trousers, Horse, Ugly Fingers, Carpenter, Angus Quinney, Benjamin Quinney, Jean Baptiste Opissinow, Young Chief, Joe Taylor, William Sibbald, Father Cunningham, Mikwyapiy, Flying About, Three Legs, Anoine Muskego, Misihew, Silly Man.
From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 images - Indigenous Woman and Daughter
The Face Pullers: Ch.4 Images - " A Mystery to Solve"
The Face Pullers: Ch.4 Images - " A Mystery to Solve"-2
The Face Pullers: Ch.4 Images - Big Belly
The Face Pullers: Ch.4 Images - Corporal and "Scouts"
The Face Pullers: Ch.4 Images - Inside Medicine Lodge
The Face Pullers: Ch.4 Images - Joe Big Plume
The Face Pullers: Ch.4 Images - Spring Chief
The Face Pullers: Ch.4 Images - Walking Buffalo
The Face Pullers: Ch.4 Images - Yellow Horse, Head Chief
The Face Pullers - Unused Photos- Many Shots and White Headed Chief
Framing the Past
"Free Your Mind," from the Series Crazymaking (2007)
Gambling on Authenticity: Gaming, the Noble Savage, and the Not-So-New Indian
Glimpsing Our Past: An Archival Photo Project
The Great Shimmering
Images Used: Chapter 2 (A Dying Race): "Ethnologist Measuring and Photography Indian".
Images Used: Chapter 2 (A Dying Race): Postcard entitled "Beardy's Warriors".
In/consequential Relationships: Refusing Colonial Ethics of Engagement in Yuxweluptun’s Inherent Rights, Vision Rights
In the Balance: Indigeneity, Performance, Globalization
An Interview with Susan Point
Kent Monkman: A Trickster With a Cause Crashes Canada's 150th Birthday Party
Living Tradition: The Kwakwaka'wakw Potlatch on the Northwest Coast
Northwest Coast Indian Art: An Analysis of Form (50th Anniversary Edition)
Pop Culture Confronts British Columbia's Colonial History
Raise a Flag: Works from the Indigenous Art Collection (2000-2015): Education Guide
Recognition on Settler Terms: The Canadian Handicrafts Guild
and First Nations Craft from 1900 to 1967
Red: The Eiteljorg Contemporary Art Fellowship
Reflections on Rethink150: Indigenous Truth
Saskatchewan History - The First Peoples: Plains First Nations
Showing and Telling the Story of Nikis (My Little House): An Arts-Based Autoethnographic Journey of a Cree Adult Educator
Staying in Place: Plains Metis Borderland Communities, 1885-1930
Survivance, Signs, and Media Art Histories: New Temporalities and Productive Tensions in Dana Claxton’s Made To Be Ready: A Review Essay
Susan Point: Spindle Whorl: Teacher's Study Guide
Although designed to accompany class visit to an exhibition of the Musqueam artist's work, can be used alone.
A Tradition of Evolution: The Vancouver Indigenous Media Arts Festival
Unsettling Scenes
Views in Hudson’s Bay (1825) and Peter Rindisbacher: Constructions of Indigenous and Non-Indigenous Culture in the Red River Settlement
Art Thesis (MA) -- University of Alberta, 2017.