Inuit Art Quarterly, vol. 15, no. 4, Winter, 2000, pp. 43-45
Description
Curatorial notes for an exhibition of the same name mounted at the Head Museum of Native Culture and Art, Arizona, 2000.
Entire issue on one pdf. To access article, scroll to page 43.
Inuit Art Quarterly, vol. 15, no. 2, Summer, 2000, pp. 32-36
Description
Curatorial notes from exhibition of the same name mounted at the National Gallery, Ontario, 2000.
Entire issue on one pdf. To access article, scroll to page 32.
Inuit Art Quarterly, vol. 15, no. 4, Winter, 2000, pp. 46-47
Description
Curatorial notes for exhibition of the same name mounted at the Carleton University Art Gallery, Ottawa, 2000.
Entire issue on one pdf. To access article, scroll to page 46.
Commercial site of the Tlingit artist. Includes links to the artist's statement, information selected pieces, exhibitions, bibliography of locations of artworks as well as items for sale.
Inuit Art Quarterly, vol. 3, no. 4, Fall, 1988, pp. 14-20
Description
Analyzes the artist's work in terms of four periods: narrative displays, systematized presentation, colourful compositions, and narrative interaction.
Entire issue on one pdf. To access article scroll down to appropriate page.
Inuit Art Quarterly, vol. 15, no. 1, Spring, 2000, pp. 16-29
Description
Looks at a curator and a gallery owner sharing their experience on the Inuit component of Threads of the Land; Clothing Traditions from Three Indigenous Cultures.
Entire article located on one pdf. To access article, scroll to page 16.
Inuit Art Quarterly, vol. 3, no. 1, Winter, 1988, pp. 12-16
Description
Discusses the Lubicon boycott of The Spirit Sings exhibition which raised issues such as repatriation, political sponsorship and the political involvement of museums.
Entire issue on one pdf. To access article scroll down to appropriate page.
Website developed as part of the exhibition of works by the Coast Salish artist. Contains links to images with brief descriptions, short biography, and resources for further information.
Inuit Art Quarterly, vol. 15, no. 4, Winter, 2000, pp. 30-37
Description
Looks at research and collaboration between author and curator for an exhibition involving a stay in Cape Dorset working with the featured women artists.
Entire issue on one pdf. To access article, scroll to page 30.
Inuit Art Quarterly, vol. 3, no. 3, Summer, 1988, pp. 4-7
Description
Discusses the National Gallery of Canada's attitude towards acquiring and displaying Inuit art.
Entire issue on one pdf. To access article scroll down to appropriate page.
Inuit Art Quarterly, vol. 3, no. 4, Fall, 1988, pp. 10-13
Description
Reviews the exhibition initiated by Aboriginals and mounted at the British Museum.
Entire issue on one pdf. To access article scroll down to appropriate page.
Inuit Art Quarterly, vol. 15, no. 2, Summer, 2000, pp. 38-40
Description
Curatorial notes for exhibition of the same name mounted at the Museum of Anthropology, British Columbia, 1999.
Entire issue on one pdf. To access article, scroll to page 38.
Features two cultures, the Inuit and the Haida, and their history, language, community life, self-government, and their relationship with the land, hunting and the sea.
Exhibit held at the National Museum of the American Indian. Curated by Gerald McMaster and co-curated by Arthur Renwick. Features works by: Marianne Nicolson, Shelley Niro, Mateo Romero, Nora Naranjo-Morse, C. Maxx Stevens, Jolene Rickard and Mary Longman.
Rebuttal to Hoover's critique of the article written by Gloria Frank regarding the permanent First Peoples Exhibit
at the Royal British Columbia Museum.
Response to an article which critiques the permanent First Peoples Exhibit at the Royal British Columbia Museum from a Aboriginal perspective; contends that while a personal viewpoint is legitimate, article does not have the research and knowledge to support some of criticisms.
Beginning 400 years ago as a French Catholic mission along Georgian Bay, this historic landmark reflects that culture and time. Website includes tourist information and educational programs.
BC Studies, no. 125/126, Ethnographic Eyes, Spring/Summer, 2000, pp. 163-178
Description
Explores First Nations person's response to the permanent First Peoples exhibit at the Royal British Columbia Museum, in Victoria, B.C. and museum depictions of Aboriginal cultures in general.