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The Acquisition of Visual Records Relating to Native Life in North America
Arctic Circle Songs
Art, Activism and the Creation of Awareness of Missing and Murdered Indigenous Women and Girls (MMIWG); Walking with Our Sisters, Redress Project
The Art of Giving: Cooperation, Reciprocity and Household Economic Strategies Among Soapstone Carvers in Qimmiurt (Lake Harbour), NWT
The Artists Speak
Ayumee-Aawach Oomama-Mowan: Speaking to Their Mother
Balancing History
Created to be used with the article Warp, Weft, Weave: Joining Generations published in vol. 53, Issue, 3, 2020 of British Columbia History magazine. Designed for students in Grades 8 to 12.
Behind the Exhibit: Exploring the Processes of Indigenous Rights
Representation at the Canadian Museum for Human Rights
The Bella Coola Indians [vols. 1 & 2]
Between Lines and Beyond Boundaries: Alootook Ipellie's Entanglements of Space
Examines the work of activist Alootook Ipellie to show how it reflects Inuit perspectives on housing, animals and land.
The Black Canoe: Bill Reid and the Spirit of the Haida Gawaii
Bridging the Social Distance between Indigenous and Newcomer Youth during the COVID-19 Pandemic: An Exploration of Identities and Relationship Building through Online and Arts-based Methods
Cannibal Tours and Glass Boxes: The Anthropology of Museums
Clippings re: Edgar Mapletoft
Commemorating Father Pandosy: Diversification of the Frontier Cultural Complex and Continued Colonial Erasure in Kelowna
Commemorating John A. Macdonald: Collective Remembering and the Structure of Settler Colonialism in British Columbia
Critical Issues in Recent Native American Art
Culture Inspires Art: Featuring First Nations, Métis, and Inuit Artists
Czapla Music
Daphne Odjig: Indigenous Art and Contemporary Curatorial Practices
Defying the Limits
The Early Years of Native American Art History: The Politics of Scholarship and Collecting
The Ethical Space of Engagement Between Indigenous Women and Girls of a Drum Circle and White, Settler Men of a Police Chorus: Implications for Policing Ideology, Policies, and Practices
Exhibits of Truth and Reconciliation: Creating Empathetic Spaces for Indigenous Narratives in Canada
The First Passionate Collector
"The Fur Trade"
Graphic Indigeneity : Comics in the Americas and Australasia
Heart Work: Weaving Relationality into Métis Material Culture Repatriation
How Raven Steals the Sun: Retold and Drawn by Quentin Harris
Salish artist retells the traditional story while drawing step-by-step visual interpretation.
Duration: 1:30:23.
Iljuwas Bill Reid: Life & Work
In Cape Dorset We Do It This Way
In Our Own Words: Bringing Authentic First Peoples Content to the K-3 Classroom
The Inconvenient Indian
Documentary inspired by the non-fiction book of the same name by Thomas King explores historical attitudes and efforts to colonize Indigenous peoples and contemporary expressions of resistance.
Duration: 1h, 29 min.
The Indian Tipi: Its History, Construction and Use
INDIGENA: A Native Curator's Perspective
Indigena: Perspectives of Indigenous Peoples on Five Hundred Years ...
Indigenous Architecture and Placekeeping: Roundtable Webinar
Inuit Art Exhibitions at the Winnipeg Art Gallery
Jenness on Eskimo Art: Documentation With Sympathy and no Pretension
Joseph Sanchez's Soft Light
Examines the paintings of Joseph Sanchez and how they reflect different conceptions of time and space.
Kwakiutl String Figures
The Language of Inuit Art
Material Culture of the Blackfoot (Blood) Indians of Southern Alberta
The Moccasin Identifier Education Kit
Museums and First Peoples: Working to Reconcile Competing Interests
Native Images: Signing of the 1992 Saskatchewan Treaty Land Entitlement Framework Agreement
Native Playwright: Tomson Highway
No "Demon" Carvings From Baker Lake Arts and Crafts Centre ... Yet
Now Is the Time
Reviews Haida filmmaker Christopher Auchter short film Now Is the Time. The films acts as a sequel to the 1970 National Film Board of Canada short film This Was the Time documenting the raising of the first totem pole on Haida Gwaii. To view article scroll down to page 130.