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Aboriginal Womens Council of Saskatchewan Meeting
Accord Agreement Signing between FSIN and Federal Government
Angelique Merasty: Birch Bark Artist
[Anglican Church]
Art, Activism and the Creation of Awareness of Missing and Murdered Indigenous Women and Girls (MMIWG); Walking with Our Sisters, Redress Project
Artists Protest Columbus Celebrations
Artists, Weavers, Movers and Shakers
Baker Lake Wall-Hangings: Starting from Scraps
Balancing History
Created to be used with the article Warp, Weft, Weave: Joining Generations published in vol. 53, Issue, 3, 2020 of British Columbia History magazine. Designed for students in Grades 8 to 12.
[BeauDril Worker at Work]
BeauDril Worker At Work
Behind the Exhibit: Exploring the Processes of Indigenous Rights
Representation at the Canadian Museum for Human Rights
The Beothuk of Newfoundland: A Vanished People
Between Lines and Beyond Boundaries: Alootook Ipellie's Entanglements of Space
Examines the work of activist Alootook Ipellie to show how it reflects Inuit perspectives on housing, animals and land.
Bridging the Social Distance between Indigenous and Newcomer Youth during the COVID-19 Pandemic: An Exploration of Identities and Relationship Building through Online and Arts-based Methods
A Collection Without Parallel Sees the Light of Day
Collective Theatre and the Playwright: Jessica by Linda Griffiths and Maria Campbell
Commemorating Father Pandosy: Diversification of the Frontier Cultural Complex and Continued Colonial Erasure in Kelowna
Commemorating John A. Macdonald: Collective Remembering and the Structure of Settler Colonialism in British Columbia
A Culture in Transition: A Case Study of Eastern Arctic Students' Creative Work
Culture Inspires Art: Featuring First Nations, Métis, and Inuit Artists
Daphne Odjig: Indigenous Art and Contemporary Curatorial Practices
"Drawing is Totally the Reverse of the Process of Carving": Kenojuak Talks about Art-Making
Drawing on Inuit
The Ethical Space of Engagement Between Indigenous Women and Girls of a Drum Circle and White, Settler Men of a Police Chorus: Implications for Policing Ideology, Policies, and Practices
Exhibits of Truth and Reconciliation: Creating Empathetic Spaces for Indigenous Narratives in Canada
Fear and Temptation: The Image of the Indigene in Canadian, Australian and New Zealand Literatures
Feathers, Furs and Fringes: A Semiological Analysis of Powwow Regalia
[Female Inuk Child]
Graphic Indigeneity : Comics in the Americas and Australasia
Heart Work: Weaving Relationality into Métis Material Culture Repatriation
How Raven Steals the Sun: Retold and Drawn by Quentin Harris
Salish artist retells the traditional story while drawing step-by-step visual interpretation.
Duration: 1:30:23.
"I Came to Rite Thare Portraits": Paul Kane's Journal of His Western Travels, 1846-1848
Iljuwas Bill Reid: Life & Work
In Our Own Words: Bringing Authentic First Peoples Content to the K-3 Classroom
In Retrospect
The Inconvenient Indian
Documentary inspired by the non-fiction book of the same name by Thomas King explores historical attitudes and efforts to colonize Indigenous peoples and contemporary expressions of resistance.
Duration: 1h, 29 min.
Indigenous Architecture and Placekeeping: Roundtable Webinar
The Influence of Comics on Inuit Art and Literature
Inuit Children Playing
Inuit Women and Graphic Arts: Female Creativity and its Cultural Context
Joseph Sanchez's Soft Light
Examines the paintings of Joseph Sanchez and how they reflect different conceptions of time and space.
Kamik
Looking for Bella Bella: The R.W. Large Collection and Heiltsuk Art History
The Moccasin Identifier Education Kit
Native Chief Conference Panel
Native Image: Past Images of Native Health Care
Native Images: World War Volunteers From Saskatchewan
Now Is the Time
Reviews Haida filmmaker Christopher Auchter short film Now Is the Time. The films acts as a sequel to the 1970 National Film Board of Canada short film This Was the Time documenting the raising of the first totem pole on Haida Gwaii. To view article scroll down to page 130.