"Authenticity" and the Contemporary Northwest Coast Indian Art Market
Balancing History
Created to be used with the article Warp, Weft, Weave: Joining Generations published in vol. 53, Issue, 3, 2020 of British Columbia History magazine. Designed for students in Grades 8 to 12.
Behind the Exhibit: Exploring the Processes of Indigenous Rights
Representation at the Canadian Museum for Human Rights
Between Lines and Beyond Boundaries: Alootook Ipellie's Entanglements of Space
Examines the work of activist Alootook Ipellie to show how it reflects Inuit perspectives on housing, animals and land.
Bridging the Social Distance between Indigenous and Newcomer Youth during the COVID-19 Pandemic: An Exploration of Identities and Relationship Building through Online and Arts-based Methods
Ceremonial Robes of the Montagnais-Naskapi
Commemorating Father Pandosy: Diversification of the Frontier Cultural Complex and Continued Colonial Erasure in Kelowna
Commemorating John A. Macdonald: Collective Remembering and the Structure of Settler Colonialism in British Columbia
The Contemporary Northwest Coast Indian Art Market
Culture Inspires Art: Featuring First Nations, Métis, and Inuit Artists
Daphne Odjig: Indigenous Art and Contemporary Curatorial Practices
Entertainment, Dance and Northern Mohawk Showmanship
The Ethical Space of Engagement Between Indigenous Women and Girls of a Drum Circle and White, Settler Men of a Police Chorus: Implications for Policing Ideology, Policies, and Practices
Exhibits of Truth and Reconciliation: Creating Empathetic Spaces for Indigenous Narratives in Canada
Graphic Indigeneity : Comics in the Americas and Australasia
Heart Work: Weaving Relationality into Métis Material Culture Repatriation
How Raven Steals the Sun: Retold and Drawn by Quentin Harris
Salish artist retells the traditional story while drawing step-by-step visual interpretation.
Duration: 1:30:23.
If It's Not Shamanic, Is It Sham? An Examination of Media Responses to Woodland School Art
Iljuwas Bill Reid: Life & Work
The Implementation of an Art Programme Designed to Develop Cultural Awareness Among Students in an Urban Native Indian Alternate Class: A Case Study
In Our Own Words: Bringing Authentic First Peoples Content to the K-3 Classroom
The Inconvenient Indian
Documentary inspired by the non-fiction book of the same name by Thomas King explores historical attitudes and efforts to colonize Indigenous peoples and contemporary expressions of resistance.
Duration: 1h, 29 min.
Indian and Metis Friendship Centre Race Relations Conference
Indigenous Architecture and Placekeeping: Roundtable Webinar
James Ratt: Lots Of Changes In 50 Years Of Trapping
John McKay: The Man From Birch Rapids
Joseph Sanchez's Soft Light
Examines the paintings of Joseph Sanchez and how they reflect different conceptions of time and space.
Liminality and Incorporation in the Art of the Tlingit Shaman
Long Walk participants in front of Correctional Centre
Metis Assembly Press Conference
The Moccasin Identifier Education Kit
Ninstints: Haida World Heritage Site
Now Is the Time
Reviews Haida filmmaker Christopher Auchter short film Now Is the Time. The films acts as a sequel to the 1970 National Film Board of Canada short film This Was the Time documenting the raising of the first totem pole on Haida Gwaii. To view article scroll down to page 130.
The Paths to Realizing Reconciliation: Indigenous Consultation in Jasper National Park
Using interviews from the Jasper Indigenous Forum (JIF) the authors examines the struggle for Indigenous representations into how their culture is presented.
Paykiiwikay Métis Culture [Podcast]
Guests discusses a variety of topics related to Métis culture . Interviews are approximately 30 minutes long.
Powwow! Ochîwin the Origins!
Questions about Questions: Law and Film Reflections on the Duty to Learn
Repertoires for Supporting Sovereignty: The Protocols for Native American Archival Materials and Dance Information in Vancouver
Rock Paintings: A Key To The Past
Shamanic Content in the Art of Clayoquot Artist: Joe David "Ka-Ka-Win-Chealth" (Supernatural White Wolf Transforming into Whale)
The Simms Collection of Plains Cree Material Culture From Southeastern Saskatchewan
Some Aspects of Inuit Vocal Games
Stitching Ourselves Back Together: Urban Indigenous Women’s Experience of Reconnecting with Identity Through Beadwork
Tah'lum Indigenous Artist Collective Colouring Book: Volume 1: Michif and Lekwungen
Theatre of Regret: Literature, Art, and the Politics of Reconciliation in Canada
The Way of the Masks
Welcoming the Wild Salmon Caravan: Socially Engaged Art as a Decolonizing Practice
Art Education (MA) -- Concordia University, 2020.
When the City Sleeps, We Dream of Disruption: A Review of Lisa Jackson's Transmissions Exhibition
Wigwas: Bark Biting
Historical note: