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Indian Record (Vol. XXX, No. 2, February, 1967)
Indian Record (Vol. XXX, No. 7, September, 1967)
Indian Record (Vol. XXX, No. 8, October, 1967)
Indian Record (Vol. XXXI, No. 2, February, 1968)
Indian Record (Vol. XXXI, No. 4, April, 1968)
Indian Record (Vol. XXXII, Nos. 2 and 3, February - March, 1969)
Indian Record (XXXII, Nos. 6 and 7, June-July, 1969)
Indian Rock Art - Selwyn Dewdney. - Booklet. - 1976.
Indigenizing the Curriculum: An Appendix of Films and Movies, and Their Supportive Books [Full List]
Indigenous Artists' Needs Assessment Report
Indigenous Collections Symposium: Promising Practices, Challenging Issues, Changing the System
Indigenous Curation as Intangible Cultural Heritage: Thoughts on the Relevance of the 2003 UNESCO Convention
Indigenous Feature Film Production in Canada: A National andInternational Perspective
Indigenous Filmmaking at the NFB: An Overview
Indigenous Men on Platform
The Influence of Shakespeare on Aboriginal Theatre: An Interview with Daniel David Moses on Brébeuf's Ghost
Innovations in Knowledge Translation: The SPHERU KT Casebook
The Innuits of Our Arctic Coast
Institution of Colonized Critique: Kent Monkman's Critical Hybridity
Intangible Property within Coast Salish First Nations Communities, British Columbia: Presented at the WIPO [World Intellectual Property Organization] North American Workshop on Intellectual Property and Traditional
Knowledge, Ottawa, September 9, 2003
Intellectual Property and Aboriginal People: A Working Paper
Outlines intellectual property legislation as it relates to Aboriginal peoples and overview of methods to protect traditional knowledge.
Interpretive Guide and Hands-on Activites: The Alberta Foundation for the Arts Travelling Exhibition Program: ᐊᐧᐃᐧᓯᐦᒋᑲᐣ = Wawisihcikan = Adornment
Lesson plans for elementary and secondary school students for exhibition featuring works by Elaine Alexie, Erik Lee, and Carmen Miller. Topics include First Nations groups of central Alberta and the Boreal forest, brief survey of Indigenous art in the twentieth century, abstract art, and First Nations traditional art forms and materials.
Interpretive Guide & Hands-on Activities: Nitssaakita’paispinnaan: We Are Still in Control
Interview with Christi Belcourt, Contributing Artist and Coordinator for Walking with Our Sisters
Interview with Curator Ellen Taubman, Changing Hands: Art without Reservation 3, Museum of Arts and Design, New York City
An Interview with Susan Point
Interview with Thomas Settee
Introduction to Blackfoot Quillworking Techniques
Inuit Carvings: A New Story
Inuit Views of Nature
Iroquois Beadwork: Cultural Portraits of the Past and Present
Issues in Contemporary American Indian Art: An Iroquois Example
Jeff Thomas at Stephen Bulger Gallery
Jimmie Durham
Ka-Kitowak (They Will Thunder) / Curated by Neal McLeod / Gordon Snelgrove Gallery / July 5-July 27, 1996.- Program.
Kamloops Wawa, Issue 134 Specimen
Historical note:
Photoengraving: The Indian Chiefs of British Columbia.Keeping the Fire Alive
Keeping the Fire Alive
King Lear
Knowledge Inclusivity: "Two-Eyed Seeing" For Science for the 21st Century
Kwa'nu'te': Micmac and Maliseet Artists: [Study Guide]
Language and Culture Immersion Programs Handbook
Lawrence Paul Yuxweluptun: The Impending Nisga'a' Deal. Last Stand. Chump Change, 1996
Learn about Western Canada in the Early 1900s through the Art of C.D. Hoy: Teacher Resource Guide for Grades 7-12
Hoy was a photographer who worked in Quesnel, British Columbia at the start of the twentieth century, when the Fraser River and Cariboo Gold Rushes were taking place, resulting in different cultural groups coming together in one location. Many of his portraits were of Indigenous people living in the area. Designed to complement the online exhibition Through the Lens of C.D. Hoy: How a Chinese Canadian Photographer Memorialized a Community.