Third Text, vol. 27, no. 1, Contemporary Art and the Politics of Ecology, January 2013, pp. 17-28
Description
Discusses how several Aboriginal artists have incorporated the traditional worldview, in which everything is animate, into their modern works. Highlights Jimmie Durham, Rebecca Belmore, Jolene Rickard, and Will Wilson.
Museum Anthropology, vol. 36, no. 2, September 2013, pp. 113-127
Description
Looks at works by Michael Nicoll Yahgulanaas who infuses Haida form lines, ideas, and oral histories with Manga, a Japanese genre of cartoon illustration.
Museum Anthropology, vol. 36, no. 1, April 2013, pp. 4-17
Description
Examines issues surrounding the controversial series of paintings which depict murdered and missing women (predominately Aboriginal) from Vancouver's Downtown Eastside.
Social Science & Medicine, vol. 91, August 2013, pp. 210-218
Description
Two broad themes emerged: factors that limited mobility within neighbourhoods, including perceptions of health/safety threats or barriers, and factors which limited movement in the larger city.
Journal of Material Culture, vol. 18, no. 2, June 2013, pp. 93-116
Description
Looks at artwork made for a specific location and then dismantled and relocated to other areas. Focuses on Michael Nicoll Yahgulanaas's site specific artwork in Pedal to the Meddle commissioned for the exhibition, Meddling in the Museum: Michael Nicoll Yahgulanaas. His art uses Haida formlines, ideas and oral history mixed with manga, the Japanese genre of cartoon and comic illustration.