Reports on the relations between police officers and Aboriginal residents in Saskatoon, Saskatchewan. The article also discusses how one Theatre Company is trying to improve this strained relationship.
Brief article on the young cast of Forever To Say Good-Bye who performed at the Labrador Creative Arts Festival in Happy Valley-Goose Bay, Newfoundland.
Arctic Anthropology, vol. 42, no. 1, 2005, pp. 33-47
Description
Argues that unique dance clothing and shamanistic garments existed in this culture, but had disappeared by the 1930s. Due to collaborative fieldwork, the style has since been resurrected.
English Thesis (Ph.D.)--The University of Saskatchewan, 2005.
Includes analysis of works by Susan Power, Drew Taylor, Joy Harjo, Beth Cuthand, Louise Halfe, Patricia Monture-Angus, and Annharte.
Explores how Aboriginal youth have embraced and transformed a "culture" originally associated with the black urban ghetto.
Excerpt from The Small Cities Book: On the Cultural Future of Small Cities edited by W.F. Garrett-Petts.
Author discusses the spiritual roots of Cree dance, and his personal experiences, when trying to bridge the gap between traditional and contemporary dance forms.
Canadian Art, vol. 22, no. 2, Summer, 2005, pp. 48-53
Description
Discussion of the debut performance-based video installation Fountain at Venice Biennale. Belmore was the first Aboriginal woman to represent Canada at this event.