Continuum, vol. 24, no. 1, Interrogating Trauma: Arts & Media Responses to Collective Suffering, 2010, pp. 65-77
Description
Discusses the way an archival history series, feature film and budget drama addresses politics of reconciliation and the media's obsession with violence in remote Australia.
Contesting Art: Art, Politics, and Identity in the Modern World
Documents & Presentations
Author/Creator
Jeremy MacClancy
Description
Introduction to themes in the volume which include: anti-colonialism, anti-racism; painting propaganda, picturing power; individuals, groups, categories; art as property; concepts and objects; and the marketing of art.
Chapter 1 from Contesting Art: Art, Politics, and Identity in the Modern World edited by Jeremy MacClancy.
Talks about government policies that have an effect on the economic development and cultural heritage practiced in Aboriginal tourist industry focusing on the Didgeridoo.
Museum Anthropology , vol. 30, no. 2, September 2007, pp. 101-124
Description
Looks at the collaboration between various Warumungu groups, government agencies, and Aboriginal organizations to negotiate and produce the Nyinkka Nyunya Art and Culture Centre at Tennant Creek.
Website highlights the significance of the 1881 Parliamentary Coranderrk Inquiry through research, education and performance to educate the broader population and attempt to redress the injustices produced from that history.
Aboriginal History, vol. 41, December 2017, pp. 3-21
Description
Article examines textual descriptions from the letters and journals of Australian settlers of painted story boards depicting colonially prescribed behaviors and threatened consequences for not conforming. The journals and letters also describe how these picture boards were installed in various wilderness locations where known to be frequented by Indigenous peoples.