Unsettling the West: Nation and Genre in Guy VanderHaeghe's The Englishman's Boy

Explores national and personal identities, with half the English Canadians wishing they were really English and the other half wishing they were Americans; then there is the Aboriginal presence that surfaces, but then becomes invisible once again.
Author/Creator
Alison Calder
Open Access
Yes
Primary Source
No
Citation
Studies in Canadian Literature / Études en littérature canadienne, vol. 25, no. 2, 2000, pp. [96]-107
Publication Date
2000
Location
Resource Type
Articles -- Scholarly, peer reviewed
Format
Text -- PDF
Text -- HTML
Language
Login or Register to create bookmarks.

Export Record

RIS
EndNote
CSV