Painting, Drawing

Presents several of the artist's late paintings (1880) that emerged as works of protest. From exhibition mounted at the National Gallery of Art, September 14, 2008 - January 4, 2009.

A discussion of Treaty 7: promises made and broken; and the traditional relationship of the Indian to his surroundings.

Book review of: George Flett: Ledger Art by George Flett. Entire issue on one pdf. To access review, scroll to page 119.

Explores the work and inspiration of this celebrated artist (1920-2000) from the Grand Portage Reservation in Minnesota.

Curatorial notes of an exhibition mounted at the Winnipeg Art Gallery, February 1 to September 6, 1998. Entire issue on one pdf. To access article, scroll to page 43.

Exhibition review. Entire issue on one pdf. To access article, scroll to page 41.

Brief profile of the artist accompanied by several examples of her work. Entire issue on one pdf. To access article, scroll to p. 16.

Profile of the prominent Inuit print maker. Entire issue on one pdf. To access article, scroll to p. 42.

Brief biography of the Inuit painter and printmaker. Entire issue on one pdf. Scroll down to page 16 to read article.

Consists of an interview that tells the story of the origin of the Ghost Dance as well as the story of the acquisition of the Shaggy Pipe.

An image of the frontispiece, The Gibbet of Regina by the One Who Knows, New York 1886. It shows an image of a young Riel next to his grave stone. It reads: In Memory of Louis David Riel, Born in 1844 and Cowardly executed on November 16, 1885. A tribute from his countrymen and sympathisers.

Comments on an artist who draws, sculpts and carves on caribou antlers. Entire issue on one pdf. To access article, scroll to page 4.

Overview of the stained glass window depicting the journey of Aboriginal people through harrowing times, and into a new era of hope.

Discussion about the controversial series of paintings entitled The Forgotten by Pamela Masik which portrayed the sixty-nine missing and murdered women from Vancouver's Downtown Eastside. The exhibition to be held at the Museum of Anthropology was cancelled due to protests. Duration: 31:50.

Perehudoff painting hung at the museum at Batoche. Depicts government forces.

Website developed as part of the exhibition of works by the Coast Salish artist. Contains links to images with brief descriptions, short biography, and resources for further information.

Photograph of sketch of Chief Beardy making a speech at Fort Carlton. The Cree writing on the front of photograph is Beardy's name in Cree, written by Beardy's secretary.

Saskatchewan First Nation artists, James Ratt, Michael Lonechild, John R. Hallkett, Calvin Sand, Myles Charles, Robert Bellegarde, and Lloyd Pinay, displayed 91 objects of art at a private showing.

A pictograph at Kipahigan Lake, Manitoba.

Biography of the artist from Muskeg Lake First Nation.

Ethnohistory Thesis (Ph.D.)--University of Alaska Fairbanks, 2018.

Book reveiw of: A Half-Life of Cardio-Pulmonary Function by Eric Gansworth. Entire issue on one pdf. To access review, scroll to page 121.

Looks at aesthetic philosophies, techniques and personal styles of four Aboriginal female artists; Doreen Jensen, Rena Point Bolton, Jane Ash Poitras, Joane Cardinal-Schubert. Duration: 51:49.

Curatorial notes for the exhibition of the same name mounted at the Winnipeg Art Gallery, Winnipeg, Manitoba, January 20 to March 11, 2001. Entire issue on one pdf. To access article, scroll to page 18.

Art History Thesis (M.A.)--University of New Mexico, 2020.

Overview of the Métis artists' uses of flowers and beads in her designs to represent identity, diversity, fluidity and authenticity.

Exhibit at the RCMP Museum in Regina displays art work by Henry Beaudry of the Mosquito First Nation.

Book review of: The Heritage of Namatjira edited by Jane Hardy, J.V.S. Megaw, Ruth Megaw. Review located by scrolling to page 145.

Proceedings from the second Virtual Roundtable on First Nation Citizenship held June 20, 2011. Roundtable featured discussion on First Nation citizenship, identity, and Nationhood.

Profile of an Inuit artist who signs, dates and inscribes his drawings. Entire issue on one pdf. To access article, scroll to page 18.

Examines how Indigenous populations have contributed to the enhancement of Canadian culture and identity. Entire issue on one pdf. Scroll down to page 16 to access article.

Discusses the work of Paul Yuxweluptun.

Curatorial notes from exhibition of the same name mounted at the Winnipeg Art Gallery, Manitoba, 2001. Entire issue on one pdf. To access article, scroll to page 42.

Consists of an interview on the origins of the Holy Lodge; the story of the Holy Turnip (same story as IH-AA.020); the story of the elk woman and her jealous husband; the story of the widows who offered themselves to the sun and how these events led to the offering ceremony and then to the Holy Lodge (This account continues on IH-AA.112)

Consists of an interview with George First Rider giving an account of his initiation into the Horn Society.

An account of George First Rider's initiation into the Horn Society. (this is the conclusion of the account given on IH-AA.081).

Brief discussion of the Lawrence Paul Yuxweluptun works mounted in the exhibition Born to Live and Die on Your Colonialist Reservations and those of Eric Robertson, Faye Heavyshield, and Shelley Niro featured in Nations in Urban Landscapes.

Comments on the unsuitability of Western art history approaches to the critical analysis of Inuit art. Entire issue on one pdf. To access article, scroll to page 6.

Consists of an interview with George First Rider where he gives an account of the original Holy Lodge. (It is a follow-up to IH-AA.112)Note: Dave Melting Tallow, interpreter. Joanne Greenwood, transcriber.

Consists of an interview with George First Rider where he tells a story of the Horn Society and gives a description of Horn Society dances. Note: Dave Melting Tallow, interpreter. Joanne Greenwood, transcriber.

Former artistic adviser to Sanavik Co-operative discusses how contact with the shamanic aspect of Inuit culture prompted him to explore themes of death and rebirth in his work. Entire issue on one pdf. To access article scroll down to appropriate page.

Discusses how Oscar Howe has created a liner abstract design concept that utilizes the formal elements of line, color and space to bridge the gap between traditional Indian values and the world of contemporary art.

Discusses artists travels with the Hudson Bay Company passing through territories of nearly eighty Indian Tribes from the Great Lakes to the Pacific Ocean. He produced 500 sketches and eventually painting over 100 canvases.

Artist demonstrates the process of creating a soapstone relief print. Students then produce their own self-portrait. Accompanying material: Study Guide. Duration: 11:24.