Images & Stereotypes

Displaying 701 - 750 of 2153

How "They" See "Us": Native American Images of Tourists

Articles » Scholarly, peer reviewed
Author/Creator
Deirdre Evans-Pritchard
Annals of Tourism Research, vol. 16, no. 1, 1989, pp. 89-105
Description
Uses jokes and stories to illustrate common stereotypes the Southwest Indian artisans have about the non-Indian tourist.
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Humanitarian Critique and the Settler Fantasy: The Australian Press and Settler Colonial Consciousness During the Waikato War, 1863–1864

Articles » Scholarly, peer reviewed
Author/Creator
Sam Hutchinson
Settler Colonial Studies, vol. 4, no. 1, 2013, pp. 48-63
Description
Analyzes how the press responded to humanitarians' criticism of the treatment of Indigenous people during the war in New Zealand and upheld the notion that white British settler society was entitled to take possession of Maori land.
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Humor and Resistance in Modern Native Nonfiction

Articles » Scholarly, peer reviewed
Author/Creator
Steven Salaita
Alif, no. 31, The Other Americas, 2011, pp. 133-151
Description
Discusses Jim Northrup's Rez Road Follies, Thomas King's The Truth About Stories, and Paul Chaat Smith's Everything You Know About Indians is Wrong in terms of the techniques used to critique government actions in their respective countries.
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Humour in Contemporary Indigenous Photography: Re-focusing the Colonial Gaze

Alternate Title
Humor in Contemporary Indigenous Photography
Articles » Scholarly, peer reviewed
Author/Creator
Meagan Sugrue
Arbutus Review, vol. 3, no. 2, Special Focus on Indigenous Governance, 2012, pp. 61-79
Description
Discusses how the works of Shelley Niro, Chris Bose, Dana Claxton, Arthur Renwick, and Terence Houle challenge mainstream society's perceptions of Aboriginals.
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Hybridism as a Means of (De)Constructing the Old Paradigm: The Good Guys (White) Versus the Bad Ones (Red)

Alternate Title
Culture and the State ; v. 2
Disability Studies & Indigenous Studies
E-Books » Chapters
Author/Creator
Jane Brodbeck
pp. 124-132
Description
Demonstrates how the process of homogeneity imposed on Indian communities by the US government has created individuals possessing Indian roots but heavily influenced by American pop-culture. Uses two short stories by Sherman Alexie (Assimilation and Class) in his analysis. Excerpt from Disability Studies & Indigenous Studies. Entire book on one pdf. To access paper, scroll to p. 124.
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“I Got This AB Original Soul/I Got This AB Original Flow”: Frank Waln, the Postmasculindian, and Hip Hop as Survivance

Articles » Scholarly, peer reviewed
Author/Creator
Sarah Kent
Studies in American Indian Literature, vol. 30, no. 3-4, Fall-Winter, 2018, pp. 121-150
Description
Discuss Waln’s use of hip hop as a venue to resist colonially imposed tropes of toxic/hyper masculinity and the indian, and to reestablish authentic Indigenous masculinities and collaboration with Indigenous feminists.
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“I Have Seen the Future and I Won’t Go”: The Comic Vision of Craig Strete’s Science Fiction Stories

Articles » Scholarly, peer reviewed
Author/Creator
Kristina Baudemann
Studies in American Indian Literatures, vol. 29, no. 4, Winter, 2017, pp. 76-101
Description
Seeks to understand the lack of academic attention Strete’s work has received and examines his short stories using several different critical Indigenous perspectives on speculative fiction by Aboriginal or Native American writers.
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"I Leave it With the People of the United States to Say": Autobiographical Disruption in the Personal Narratives of Black Hawk and Ely S. Parker

Articles » Scholarly, peer reviewed
Author/Creator
Michelle H. Raheja
American Indian Culture and Research Journal, vol. 30, no. 1, Special Issue on New Directions in American Indian Autobiography, 2006, pp. 87-108
Description
The author contends that Black Hawk (Ma-ka-tai-me-shekia-kia, Black Sparrow Hawk) and Parker both used writing in order to be heard but withheld information, which becomes significant to each narrative.
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"I'm an Indian Too:" A Contemporary Indigenous Reclamation of Racist Musical Tropes

Documents & Presentations
Author/Creator
Kimimilasha James
Description
Looks at "Indian Love Songs" in popular music of the the late 19th century, the work of Aquinnah Wampanoag composer Wamsutta Frank James, film scores and songs from musicals, and Indigenous responses in the form of reworking What Makes the Red Man Red by Lakota hip-hop artist Frank Waln, and I'm an Indian Too by the comedy troupe The 1491s. Music Honors Thesis (B.A.?)-- Wellesley College, 2021.
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"I'm just as Indian standing before you with no feathers popping out of my head": Critiquing Indigenous Performativity in the YouTube Performances of the 1491s

Articles » Scholarly, peer reviewed
Author/Creator
Jeff Berglund
AlterNative, vol. 12, no. 5, [Indigenous Peoples, Popular Pleasures and the Everyday], 2016, pp. 541-557
Description
Analyzes two YouTube videos by the popular sketch comedy troupe; Indian Store and I'm an Indian Too. Group focuses on stereotypes about what constitutes a "real Indian".
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I'm Not the Indian You Had in Mind

Media » Film and Video
Author/Creator
Thomas King
Laura J. Milliken
Description

Short video featuring a poem by Thomas King challenging stereotypical portrayals of Aboriginal peoples. Duration: 5:28.

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Identified Indian Objects: An Examination of Category

Articles » Scholarly, peer reviewed
Author/Creator
Rebecca S. Hernandez
American Indian Culture and Research Journal, vol. 31, no. 3, 2007, pp. 121-140
Description
Examines the use of language in the identification of Native American artifacts and the stereotypes that are perpetuated by their usage.
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Ignoring It Won't Make It Go Away

Articles » Scholarly, peer reviewed
Author/Creator
Jerry D. Blanche
Journal of American Indian Education, vol. 12, no. 1, October 1972, pp. [1-4]
Description
Discussion of textbook bias and being poorly represented in the history books.
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Images and Counter-Images: Ohiyesa, Standing Bear and American Literature

Articles » Scholarly, peer reviewed
Author/Creator
Bo Schöler
American Indian Culture and Research Journal, vol. 5, no. 2, 1981, pp. 37-62
Description
Overview of stereotypes and images which developed in literature written about Native Americans up until 1925, and analysis of six works by the two Siouan authors which present a counter-narrative.
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Images in the Contact Zone: An Online Exhibit

Web Sites » Organizations
Author/Creator
Sabrina Hammerl
Thomas Götzfried
Sebastian Karlbauer
Rebecca Gebhard
Sonja Rothfischer ... [et al.]
Description
Exhibit divided into four sections: Landscape, Removal, and Native American Homelands, Revisiting the "Indian Princess", Repositioning Native Bodies, and Representing Indigenous People on a National Stage.
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