Galleries, Museums & Exhibitions

Sociology Thesis (M.A.)--University of Ottawa, 2000.

Fine Arts Thesis (M.A.)--Queen's University, 2000.

Art Thesis (M.A.)--Queen's University, 2000.

Book reviews of: The Changing Presentation of the American Indian edited by W. Richard West, a collection of symposium papers. Privileging the Past by Judith Ostrowitz.

Looks at the repatriation process of Canadian museums and asks 'what information do First Nations individuals and communities need to successfully participate in this process?'

Presents works by Troy Roberts including ceremonial masks, totem poles, paddles, talking sticks, plaques and headdresses, as well as brief biography

The author examines the creation of the Jimmie Durham: At the Center of the World exhibit at the Hammer Museum in Los Angeles, California, his supporters questioning of tribal denial of his claim to Cherokee ancestry and its importance regarding Indigenous identity and sovereignty.

Book review of: Charles Edenshaw edited by Robin K. Wright, Daina Augaitis, and Jim Hart. Entire book review section on one PDF. To access this review scroll to p. 147.

Discusses the difficulties involved in attributing unsigned works to the artist. Excerpt from Charles Edenshaw curated by Robin K. Wright and Daina Augaitis.

Criticism and Curatorial Practice Thesis (M.A.)--OCAD University, 2014.

Author discusses their experience of visiting the National Museum of the American Indian during its inaugural week.

Looks at Ernest Swanson and Mark Illing's Augmented Reality exhibit inspired by the stories of Walter McGregor. The AR exhibit allows visitors to follow safety protocols during the COVID19 pandemic.

Contains a photo of a blanket from the archives of the HBC Collection (Hudson Bay Company) at the Manitoba Museum.

Gallery review of the display created by Oswaldo DeLeon Kantule which occurred in November, 2007 at the Macdonald Stewart Art Centre at the University of Guelph. Also includes a review of the workshop / performance art of Monique Mojica and Floyd Favel, "Chocolate Woman Dreams the Milky Way".

Interview with a Métis artist who began the initiative.

Canadian Museum of Civilization exhibition includes work by Tsimshian artist Roy Henry Vickers of British Columbia and Inuit printmaker Pudlo Pudlat of Cape Dorset.

Church and Museum at Batoche, SK. No date given.

Virtual exhibition features regalia from the United States, Canada and South America accompanied with information on the culture that produced it.

Reviews the exhibition RESERVE(d) by Caroline Monnet and Kevin Lee Burton mounted at the Urban Shaman Gallery.

Sourcebook for exhibition of the same name held from June, 2014 to January, 2015. Includes photos of individual works and brief biographies of each artist.

Art and Design Thesis (M.F.A.)--University of Michigan, 2009.

Looks at a touring exhibition designed to share Indigenous art with the people of Saskatchewan. Article located by scrolling to page 3.

Clippings relating to Edgar Mapletoft and his interest in preserving the history of the Fort Pitt-Frenchman's Butte area.

Catalogue produced to accompany exhibition of the same name. Includes essays and brief biographies of contributors.

Features selected works from the Winnipeg exhibition curated by Lee-Ann Martin, Steve Loft, Candice Hopkins, and Jenny Western.

Discusses how decreased funding for museums and art galleries has lead to an increased effort to secure Indigenous art in order to acquire grants. Uses Jimmie Durham as a case study and an examination of the Indian Arts and Crafts Act of 1990 to illustrate how the art community's haste to secure Indigenous art has allowed those with a fraudulent identity to benefit.

Discusses the difficulties involved in balancing conservation concerns with providing appropriate access to the Aboriginal peoples whose ancestors created the items.

Discusses whether the Canadian Museum of Human Rights has a responsibility to address the ongoing impact of Canada's colonization of Indigenous peoples, examines the controversy surrounding The Forgotten exhibition and looks at Rebecca Belmore's performance pieces Vigil and Trace.

Publishing Project (MPub)--Simon Fraser University, 2007.

Describes the process involved in producing a CD, which was the result of the Weaving Teachers Resources Project undertaken by the Canadian Museum of Civilization and practicing artists.

Website covers the fight for civil rights and struggle for land rights in Australia with links to the people, maps, resources, timeline, and organizations.

Reviews of two books: Yu'pik Elders at the Ethnologisches Museum Berlin: Fieldwork Turned on Its Head by Ann Fienup-Rirodan. Ciuliamta Akluit: Things of Our Ancestors by Marie Mead and Ann Fienup-Rirodan.

Looks into the collecting practices and ideologies of two Australian art collectors.

Human Ecology Thesis (M.A.)--University of Alberta, 1998.

Social Anthropology Thesis (M.A.)--York University, 2002.

Book review of: Collecting Native America, 1870-1960 edited by Shepard Krech III and Barbara A. Hail.

Discusses the collection of the Canadian Museum of Civilization and its new exhibition space for Inuit Art. Entire issue on one pdf. To access article scroll down to appropriate page.

American Indian Studies Thesis (M.A.)--University of Arizona, 1990.

Art History and Visual Culture Thesis (M.A.)--University of Guelph, 2019.

Looks at the national art market and differences in the way Indigenous and non-Indigenous art is marketed in commercial art galleries and at auction.

Anthropology Thesis (M.A.)--University of British Columbia, 2006.

Commentary on the planning process plus the public and critical reaction to the opening of the National Museum of the American Indian in 2004.

Art History, Visual Art and Theory Thesis (M.A.)--The University of British Columbia, 2001.

Sociology and Anthropology Thesis (M.A.)--Carleton Univerisity, 2004. Includes examination of exhibitions by Rosalie Favell and Greg Staats.

Canadian Art History Thesis (M.A.)--Carleton University, 2003.

Cultural Anthropology and Development Sociology Thesis (M.A.)--University of Leiden, 2012.

Reviews a multimedia installation that is based on a time portal to 1845.

Looks at the history, artistic and cultural value of Alutiiq masks, and discusses some of the challenges for future masters to carry Alutiiq traditions forward.