Photography

A photograph of the Half-Breed Commissioners sitting in their mess tent at Duck Lake, NWT during their visit to that area in 1900.

Historical note:

Art History Thesis (M.A.)--Concordia University, 2012.

Interview with photographer about her photo series Concrete Indians and documenting Idle No More movement. Includes photographs.

Art History Thesis (M.A.)--The University of New Mexico, 2010.

Sociology and Anthropology Thesis (M.A.)--Carleton Univerisity, 2004. Includes examination of exhibitions by Rosalie Favell and Greg Staats.

A series of nine photographs (PH-87-127 to PH-87-135) that show various activities related to the construction of ceremonial lodge in Northern Saskatchewan. Men and young men are shown erecting the lodge poles, hauling the poles in behind horses, and preparing cloth offerings. A camp of white canvas tents can be seen in the background in two photos. There is also a photo of people arriving by horse and wagon.

Artists speak about their life and work in context of form, image and consequences. Duration:1.33.17.

Examines how an Inuit photographer and filmmaker have attempted to dispel common stereotypes about the Inuit people and preserve and enhance Inuit culture.

Book based on presentations given at a colloquium of the same name. Part V contains Aboriginal content. To access chapter, scroll down to appropriate page. Chapter 36: Converging or Diverging Pathways to Aboriginal Self-Determination? Indigenous Peoples, Self-Government, and the Federation by Frances Abele and Michael J. Prince. (p.443) Chapter 37: Keynote Address on Nunavut: Convergence and Divergence in North America: Canada and the United States by Donat Savoie. ( p.

Looks at two groups photographed and interviewed for the project: First Nations youth from Calgary, Alberta and Te Ora Hou, a Maori youth organization in Christchurch, New Zealand.

Communication Studies Thesis (M.A.)--Concordia University, 2013.

A set of 19 photos of Napthelie McKenzie showing how a fish can be cooked upwanask style over an open fire, without a frying pan, using sticks to hold it. Birchbark can serve as a plate in the bush.

A crowd of people watching Aboriginal people in front of George Bett's store at the corner of Broadway and Third Avenue.

Book review of: Country of the Heart by Deborah Bird Rose with Nancy Daiyi, Kawthy Deveraux, Margaret Daiyi, Linda Ford and April Bright. Scroll down to page 193 to read review.

[Fine Arts] Thesis (Ph.D.)--University of Georgia, 2008.

Focuses on the methodological challenges and accomplishments associated with project entitled Visualizing Breast Cancer. Chapter 13 in the book Doing Cross-Cultural Research: Ethical and Methodological Perspectives edited by Pranee Liamputtong.

A photograph of the creator of a totem pole given to the City of Prince Albert, 1975. The pole was carved by a First Nations man originally from British Columbia, and currently stands along the North Saskatchewan River near the Prince Albert Historical Museum.

A photograph of the creator of a totem pole given to the City of Prince Albert receiving an award from what is likely a City official, 1975. The pole was carved by a First Nations man originally from British Columbia.

Cree beadwork mats from the Little Pine reserve on display at the Saskatoon Arts and Crafts Society show in 1951.

A photo of several Cree boys in front of the old Anglican Mission school at La Ronge in August 1919. This school was destroyed by fire in March 1920 and a new one built. Taken during the journey of Christina Bateman and Annie McKay from Prince Albert to La Ronge, SK in 1919.

A Cree camp at the Sandy Lake Reserve, probably sometime around the end of the nineteenth or early twentieth centuries. Picture shows several tipis and horses.

A photograph of a camp of Cree people on the prairie, probably sometime between 1890 and 1930. Many wear western clothing, some women with formal dresses and caps. A man with his back to camera wears some traditional clothing adorned with feathers. Picture possibly taken by George Mann family who worked with Cree people in Onion Lake, Saddle Lake and Hobbema reserves between 1883 and 1916. Members of the family were known to continue to visit these areas well into the 1920s.

Photograph of council held near Battleford. People; horses and terrain in foreground; buildings on extreme left and right of image. Caption "The Battleford-bound Cree held a council on the Sweetgrass reserve in late March 1885; the meeting was interrupted by two Metis messengers who wanted the Indians to capture the fort." From the book Loyal till Death: Indians and the North-west Rebellion by Blair Stonechild and Bill Waiser.

A Cree flat boat on the Montreal River. No date given.

Cree boatmen on a flat boat on the Montreal River, Saskatchewan. No date given.

Cree Indian encampment near Saskatoon. There are wagons, teepees and tents with horses grazing nearby.

An image of two Aboriginal men wrapped in blankets, posing in front of a camp of teepees. They are wearing wide-brimmed western style hats and one of them sits on a horse. Colours have been added to the photograph in a chromolithograph process.

Cree man loads over portage. Angus McKay on the right. Taken during the journey of Christina Bateman and Annie McKay from Prince Albert to La Ronge, SK in 1919.

A photo of a Cree woman holding a baby. Taken during the journey of Christina Bateman and Annie McKay from Prince Albert to La Ronge, SK in 1919.

Features portraits of Indigenous subjects painted by George Catlin, who traveled the United States during the 1830s to capture images of the "vanishing race". Includes biographical information, excerpts from his writings, general historical information and exercises to teach students to think critically about the works and the stereotypes found in them. Compares his portraits to photographs taken by Edward S. Curtis in the early 1900s.

Describes photographs taken by Julius Ulke, DeLancey Gill, William Rau and Fred Miller.

Crowd of Aboriginal people waiting on shore for the Diefenbaker's arrival at Fort Simpson, Northwest Territories.

A photograph of a large number of Native people seated and standing in circle. Non-native on-lookers and tipi in background. Probably taken at a pow-wow of treaty day celebration.

Environmental Studies Thesis (M.Sc.)--University of Oregon, 2013.

Discusses the tribe's past resistance to having spiritual ceremonies photographed and their current efforts to restrict access to sensitive material held in museum collections.

Collection contains 1,068 digitized images taken by the famed photographer of Aboriginal peoples in the early 19th century. Many of the images were not included in the multi-volume The North American Indian, so are unavailable elsewhere.

Close-up image of plaques at Cut Knife Hill. Plaque reads: "Cut Knife Battlefield. Named after Chief Cut Knife of the Sarcee in an historic battle with the Cree. On 2nd May, 1885, Lt. Col. W.D. Otter led 325 troops composed of North West Mounted Police, "B" Battery, "C" Company, Foot Guards, Queen's Own and Battleford Rifles, against the Cree and Assiniboine under Poundmaker and Fine Day. After an engagement of six hours, the troops retreated to Battleford."

Artist's own experiences as a hybrid subject influence her work and represents the reality of most Aboriginal people today. Includes annotated photographs from exhibition.

Aboriginal people perform at Pion-Era. Audience is visible in the foreground.

A photograph of a First Nations dancer in traditional garb at a ceremony to celebrate the giving of a totem pole to the City of Prince Albert, 1975. The pole was carved by a First Nations man originally from British Columbia, and currently stands along the North Saskatchewan River near the Prince Albert Historical Museum.

Photo essay of residents of Baker Lake and a short biography on each. Entire issue on one pdf. To access article, scroll to page 14.

Photo-essay draws on the author’s previous work at a 2018 studio residency in the Hòa Binh Province in northwest Vietnam. Explores the “mismatches that occur in encounters with people, landscapes, and customs different from one's own.”

Curriculum, Teaching and Learning Thesis (Ph.D.)--University of Toronto, 2016.

File contains four negatives showing the demolition of the old buildings at the Aboriginal Student Residence in Prince Albert, Saskatchewan, on October 1, 1971. Scanned negatives hows an image of one of the buildings, partially demolished.

"Dene - beadwork, necklaces by Rosann Naey". Location unknown.

Art Thesis (M.F.A.)--California State University, Long Beach, 1999.

A photograph of Devil's Lake during the time of the visit of the Half-Breed Commission, 1900.

Historical note:

Book review of: A Different Time by David Kaus. Review located by scrolling to page 272.