Visual Arts

Looks at Ernest Swanson and Mark Illing's Augmented Reality exhibit inspired by the stories of Walter McGregor. The AR exhibit allows visitors to follow safety protocols during the COVID19 pandemic.

Gallery review of the display created by Oswaldo DeLeon Kantule which occurred in November, 2007 at the Macdonald Stewart Art Centre at the University of Guelph. Also includes a review of the workshop / performance art of Monique Mojica and Floyd Favel, "Chocolate Woman Dreams the Milky Way".

Canadian Museum of Civilization exhibition includes work by Tsimshian artist Roy Henry Vickers of British Columbia and Inuit printmaker Pudlo Pudlat of Cape Dorset.

Lists significant events in Edenshaw's life and the history of British Columbia. Excerpt from Charles Edenshaw curated by Robin K. Wright and Daina Augaitis.

Reviews the exhibition RESERVE(d) by Caroline Monnet and Kevin Lee Burton mounted at the Urban Shaman Gallery.

Discusses the implications of the proliferation of consumer goods which carry cultural symbols.

Sourcebook for exhibition of the same name held from June, 2014 to January, 2015. Includes photos of individual works and brief biographies of each artist.

Catalogue produced to accompany exhibition of the same name. Includes essays and brief biographies of contributors.

Features selected works from the Winnipeg exhibition curated by Lee-Ann Martin, Steve Loft, Candice Hopkins, and Jenny Western.

"Exploration of art, culture and history through the ceramic and textile objects of the ancient and contemporary peoples of" Mexico, Central and South America. Information provided about the people and physical landscape.

Publishing Project (MPub)--Simon Fraser University, 2007.

Discusses the artifacts and traditions of Coast Salish Aboriginal people through the presentation of documents, archaeological collections, archival photographs and oral histories.

Digitized images and lesson plans to enhance teaching and learning about the Coast Salish people.

Discusses the collection of the Canadian Museum of Civilization and its new exhibition space for Inuit Art. Entire issue on one pdf. To access article scroll down to appropriate page.

"This paper explores the relationships between landscape and power, colonialism and its aftermaths, and state territoriality and its contestation, in the work of two popular Northwest Coast landscape painters: Emily Carr and Lawrence Paul Yuxweluptun".

Education Thesis (Ed.D.)--Illinois State University, 1978.

Lists 208 publications (articles, letters, websites, webpages, government documents, and books) deemed to be of interest to the Commodifications of the Past? Working Group from the Intellectual Property Issues in Cultural Heritage (IPinCH) research project.

Art History and Visual Culture Thesis (M.A.)--University of Guelph, 2019.

Art History Thesis (M.A.)--Concordia University, 2012.

Examines whether Inuit are the direct cultural and ancestal links to early inhabitants of Upper Paleolithic Europe and attempts to draw conclusions through comparison of art. This is Part I of a 2-part article, see also A Comparison of Eskimo and Palaeolithic Art. Part II. Non-Representative Art

Examines whether the Inuit may be direct cultural and blood descendants of Upper Palaeolithic European humans through a comparison of art.

Comments on public artworks by artist Edgar Heap of Birds, including a video presentation at Times Square and a large installation for the Denver Art Museum.

Art History Thesis (M.A.)--Carleton University, 2000.

Artist discusses his work in terms of the concept of boundaries in relation to communities and individuals. Duration: 9:08.

Art History, Visual Art and Theory Thesis (M.A.)--The University of British Columbia, 2001.

Comments on stereotypical images found in books, toys, games, etc. and the artists who are deconstructing these images by infusing their cultural diversity into their work.

Cultural Anthropology and Development Sociology Thesis (M.A.)--University of Leiden, 2012.

Social Anthropology Thesis (Ph.D.)--York University, 2000.

Divides artists into three categories: those who produce traditional works, those who make reference to contemporary political issues, and a third group who want to appeal to a broader audience and resist stereotypes.

Art History Thesis (Masters)--University of Tromsø, 2006. One artist is Sami, the other Alaska Native.

Discusses how the work of artists such as Norval Morrisseau, Lawrence Paul Yuxweluptun, Joane Cardinal-Schubert, Heather Shillinglaw, and Bill Reid communicate with and educate their audiences. Chapter fifteen from How Canadians Communicate IV: Media and Politics edited by David Taras and Christopher Wadell.

Brief document meant for educational purposes is organized around four themes: origins, knowledge, community and governance.

Features works by Nadema Agard, Carm Little Turtle, Rose Powhatan, Kay Walking Stick, Jaune Quick-to-See Smith, Helen Harding, and the author.

Argues that both past and present Aboriginal art forms have been underrepresented in national museums. Past art because it has been viewed as craft, and modern works because their content makes viewers uncomfortable.

Panel discusses how in-depth analysis is often overlooked when Native art is examined. Part 2. Duration: 27:53.

Panel discusses how in-depth analysis is often overlooked when Native art is examined. Part 1. Duration: 42:44.

Discussion on art connects creativity to political processes and disrupted borders.

Website contains links to brief biographies and a gallery of works from the exhibition. Artists were: Rick Bartow, Kay Walkingstick, Joe Feddersen, Harry Fonseca, Richard Ray Whitman, Hachivi Edgar Heap of Birds, Nora Naranjo-Morse, George Longfish, Shelley Niro, Judith Lowry, Marie Watt, and Jaune Quick-To-See.

Guide includes: synopses, production who's who, forms and facts, interviews with playwright/performers, themes, set design and extension activities.

Looks at works by Michael Nicoll Yahgulanaas who infuses Haida form lines, ideas, and oral histories with Manga, a Japanese genre of cartoon illustration.

Interview with Brandon Gabriel, a mixed-media Stó:lō Coast Salish artist from Kwantlen.

Conversation with Winnipeg artist Blair Marten and commentary on his body of work.

Hobby turns into full-time career in art for Day Star member.