Galleries, Museums & Exhibitions

Reviews a 2004 exhibition focused on the story of the migration to Moose Jaw after the Battle of Little Bighorn. Originally published in Vie des Arts under the title Dana Claxton: Sitting Bull and the Moose Jaw Sioux.

Artist's own experiences as a hybrid subject influence her work and represents the reality of most Aboriginal people today. Includes annotated photographs from exhibition.

Curatorial notes for exhibition of the same name mounted at the Carleton University Art Gallery, Ottawa, 2000. Entire issue on one pdf. To access article, scroll to page 46.

Curatorial notes for an exhibition of the same name mounted at the National Gallery of Canada, Ottawa, Ontario, April 10 to October 18, 1998. Entire issue on one pdf. To access article, scroll to page 49.

Indigenous and Canadian Studies Thesis (Ph.D.)--Carleton University, 2017.

Art History Thesis (M.A.)--State University of New York, 2020.

Profile of a prominent Inuit sculptor. Entire issue on one pdf. To access article, scroll to page 38.

Discussion of the controversy surrounding the identity of artist Jimmie Durham and the exhibition Jimmie Durham: At the Center of the World. Durham's claims to having Cherokee ancestry are denied by the Cherokee Nation. Author argues that by displaying Durham's works the art establishment may be seen to be substantiating his claims and invalidating tribes' sovereignty over citizenship.

Book review of: Decolonize Me by Heather Igloliorte, Brenda L. Croft, and Steve Loft.

Interdisciplinary Indigenous and Creative Studies Thesis (M.A.)--University of British Columbia, 2016.

Book review of: Decolonizing Museums by Amy Lonetree.

Book review of: Decolonizing Museums by Amy Lonetree.

Commentary in regards to the opening of the National Museum of the American Indian (NMAI) on September 22, 2004, particularly the clichés, exclusion and stereotyping.

Discusses works from the exhibitions Strengthening the Spirit, Bishop's Moose and the Pinkerton Men and Indians from A to Z. Artists include Jimmie Durham, Ron Noganosh, Domingo Cisneros, and Robert Houle.

Commercial site of the Tlingit artist. Includes links to the artist's statement, information selected pieces, exhibitions, bibliography of locations of artworks as well as items for sale.

Looks at a collection of Métis artifacts collected by a Saskatoon couple, with a keen interest in history, relating to the 1885 Resistance and Métis and First Nations people. Article located by scrolling to page 18 and 19.

Anthropology Thesis (M.A.)--University of Victoria, 2011.

Article discusses the artifacts and objects collected by Alphonse Pinart and William Dell from Unga Island burial caves; authors look at the provenance of the objects, which are now divided between Château-Musée de Boulogne-sur-Mer (France) and the Smithsonian Institution National Museum of Natural History, and the potential for additional study.

Describes the Oregon Tribal Archives Institute (OTAI) project development, organization and implementation.

Critically addresses the efforts of the National Museum of the American Indian in New York City, with the intent of placing it within the larger cultural discourse on museums, in regard to representations of cultures and their objects.

Lists resources related to the historian's primary areas of interest: the art and cultural history of Aboriginals of the Northwest Pacific Coast.

Discuss reasons behind decision not to distinguish images found in the archive at the Newberry Library with the author's personal collection.

Mass Communications Thesis (Ph.D.)--The Pennsylvania State University, 2007.

Artist discuses the work Welcome to the Studio which was inspired by the Notman Photographic Archives in the McCord Museum and Gustave Corbet's The Artist's Studio. Duration: 1:10:56.

Anthropology Thesis (M.A.)--University of Victoria, 2018.

Guerrilla art display was placed on various streets in Calgary with the hope of evoking empathy and a sense of urgency in society to intervene with this injustice. Artists filmed the public's reactions. Duration: 4:55.

Focuses on the challenges faced by libraries and other related institutions wishing to reproduce Australian Indigenous artwork.

Anthropology Thesis (M.A.)--The University of British Columbia, 1989.

Discusses major themes, narrative structures, and certain installations in the exhibition that constitutes a new departure for the museum.

Designer of the Canadian Museum of Civilization and the National Museum of the American Indian talks about various commissions, evolution of his career and his approach to architecture. Interview took place in 1996. Duration: 41:47.

Canadian architect Douglas Cardinal talks about the process of being commissioned for the project and the development of his design. Duration: 19:26.

Douglas Cardinal talks about the issues that arose during construction of the building and the events which ultimately led to termination of his participation in the project. Duration: 15:59.

Book review 2 books: Down From the Shimmering Sky by Peter Macnair, Robert Joseph, and Bruce Grenville. Native Visions by Steven C. Brown. Scroll down to page 111 to read review.

Gallery in Avon, Colorado offers paintings, bronzes, jewelry, pottery and photographs for sale.

Edited version of speech given at the opening of the exhibition Contemporary Inuit Drawings. Entire issue on one pdf. To access article scroll down to appropriate page.

Transcript of speech given by the curator of the National Gallery of Canada's exhibition.

Exhibition review from the MacDonald Stewart Art Centre, Guelph, Ontario, 1998 curated by Chandler Kirwin and Judith Nasby. Entire issue on one pdf. To access article, scroll to page 36.

Analyzes the artist's work in terms of four periods: narrative displays, systematized presentation, colourful compositions, and narrative interaction. Entire issue on one pdf. To access article scroll down to appropriate page.

The last two images showing two different angles of the dugout canoe that is on display at the Prince Albert Historical Society Museum. The first of the three images is the informational sign.

Museum Studies Thesis (M.F.A.)--University of the Arts, 2009.

Book review of: Dynamic Traditions.

Brief article highlights objects collected by J. Dewey Soper during the summer of 1926. Entire issue on one pdf. To access article, scroll to p. 20.

Curator of the exhibition explains the process of identifying the previously unknown artists who created works held in the collection of the Winnipeg Art Gallery. Entire issue one pdf. To access article, scroll to p. 28.

Virtual exhibit of archeological artifacts from First Nations people in prehistoric Quebec.

Four interviewees discuss Isabel Rorick's weaving, the argillite platters, the artist's place in the history of art in British Columbia, and his influence one descendant's work. Excerpt from Charles Edenshaw curated by Robin K. Wright and Daina Augaitis.

Brief comments on the work of a tapestry artist. Entire issue on one pdf. To access article, scroll to page 30.