Dance

Examines First Nations music in a combined band and social studies, grade 9, classroom in Saskatchewan.

Proceedings from the second Virtual Roundtable on First Nation Citizenship held June 20, 2011. Roundtable featured discussion on First Nation citizenship, identity, and Nationhood.

General reminiscences about their lives. Gives English translation for certain Indian words.

General reminiscences about her life.Describes certain customs associated with death.

Looks at two musical forms which use music as a political expression against empire and colonialism.

Ethnomusicology Thesis (M.A.)--Memorial University of Newfoundland, 2010.

Physical Education and Sport Studies Thesis (Ph.D.)--University of Alberta, 1990.

Website focuses on Tlingit history with links to, carving, dance, potlatches, and more.

Comments on the laws and the search for missing artifacts related to the ceremony.

Sociology and Anthropology Thesis (M.A.)--Carleton University, 2008.

Ethnomusicology Thesis (Ph.D.)--University of Washington, 2002.

Modern History Thesis (Ph.D)--University of Glasgow, 2002

Introduction of the fiddle, music and the Metis culture. Narrated by Tantoo Cardinal. Duration: 48:03.

Consists of an interview with George First Rider where he gives an account of the original Holy Lodge. (It is a follow-up to IH-AA.112)Note: Dave Melting Tallow, interpreter. Joanne Greenwood, transcriber.

Consists of an interview with George First Rider where he tells a story of the Horn Society and gives a description of Horn Society dances. Note: Dave Melting Tallow, interpreter. Joanne Greenwood, transcriber.

Traces the ceremony from Simpson Desert to Dulkaninna.

Author speaks about her interest in music and training and the Hawaiian way of remembering history through dance and chanting.

Part of: University of California Publications in American Archaeology and Ethnology, vol. 35, (pp103-142).

Introduction to groups performing at the Inuit Village which included Inuit,Yup'ik, Inupiaq, Siberian Yupik, Tlingit (Chilkat, Hoonah, and Taku).

Describes the painted muslin shield inspired by a vision and was thought to give magical protection. Includes photographs.

English Thesis (M.A.)--University of Oregon, 2016.

Dancer reads an article he wrote, A Story of an Entry at Union Station, How Ancient Memories Travel Through the Blood, Peter Chen and Me, and then performs a dance. Duration: 21:42.

Investigates the participation of Indigenous men and women in the world fair and how it provided both economic opportunities otherwise unavailable and a way to maintain their culture.

Comments on lyrical themes in Inuit music including resistance to European morals and respect for the environment.

Briefly discusses aspects of dances composed and performed by the Inuit and based on hunting or landscapes.

Examines how the film responds to the orchestral piece Suite: Indian, composed by Edward MacDowell.

Commentary looks at historical influences Native American culture had on the prevailing society. In Pursuit of Dancing the Indian Way: Part 2 In Pursuit of Dancing the Indian Way: Part 3

Commentary looks at historical influences Native American culture had on the prevailing society. In Pursuit of Dancing the Indian Way: Part 1 In Pursuit of Dancing the Indian Way: Part 2

File contains 15 negatives showing people at the Prince Albert Indian and Metis Friendship Centre during its' twenty-fifth anniversary on June 16, 1988. The 15 scanned images show eleven negatives showing various people within the Friendship Centre building, and five negatives showing traditional dancers in front of the Prince Albert City Hall.

Thesis (Ph.D.)--The University of Texas at Austin, 2004.

Image of two Aboriginal females [dancing]; onlookers are in a semi-circle behind the dancers. All are on ceremonial dress.

A photograph of what appears to be a ceremony with drummers and many spectators in attendance. No date or further information given, from the Prince Albert, SK area.

A picture of a First Nations dance in the Prince Albert area, possibly around the turn of the twentieth century.

Image of an Indian dance, probably during the Prince Albert Exhibition in 1909. Wood pole in foreground with flag; Aboriginal dancers in ceremonial dress in background.

36 images (6 scanned here) of a Native Dancer performing for young people at a Saskatoon school on February 14, 1979.

A group of early twentieth century first nations men engaging in a ceremonial dance with others looking on.

Indian dancers from St. Mary's School poses in front of the stage in the Pensioners and Pioneers Pavilion where they had performed at a potluck supper held by the association's member. The hoop dancers wear matching blue shirts. The girl in the red dress performed a shawl dance.

Book review of: Indian Dances of North America by Reginald Laubin and Gladys Laubin.

Photo of indigenous people in drum circle and men in full dress dancing with onlookers.

File contains 4 negatives of performers on stage at the Indian Metis [illegible] Concert on November 24, 1961. The first negative shows a young boy on stage performing a dance. The second shows a man playing the accordion. The third shows a large group of women singing with alongside a piano playing accompaniest. The fourth shows a man with a guitar accompanying a woman singing. The fifth shows a man either singing or announcing at a microphone.

This oversize file is divided into two parts for this data base. Part one (A-792-1) contains a 33 1/3 record titled "Indian Music of the Canadian Plains," copyright 1955 Folkways Records and Services Corp. There is a booklet accompanying the record that explains the various songs and Indian customs.

42 images (10 scanned here) of First Nations people of all ages, leaders and elders taking part in Pow-wow ceremonies in Saskatoon on December 29, 1979.

Indian pow-wow at Prince Albert, Saskatchewan, July 1, 1905. A large group of Aboriginal people stand in background with seven men around a pow-wow drum in foreground.

An image of a large group of non-Aboriginal people surrounding a small circle of Aboriginal people. Some Aboriginal people are dressed in pow-wow regalia, while others have on western style clothes. There appears to be a pow-wow drum in the centre of their group. The non-Aboriginal audience is dressed in early 20th century style suits and long dresses, and they stand shoulder to shoulder.

This photograph shows what is purported to be an Indian pow-wow on Broad Street in Regina taken circa 1885. Some have presumed that this was taken at the time of Louis Riel's trial, although the Archives Board is unable to confirm this. The photo shows a large crowd of non-Aboriginal people watching a pow-wow drum group. Pow-wow dancers are seated nearby. The Mowat Brothers store on Broad Street is in the background.

"National publication for the Indians of Canada". Focus on Indigenous issues, events at residential schools and legal decisions. Previously published as Indian Missionary Record. Articles reflect the attitudes and polices of the time.

"National publication for the Indians of Canada". Focus on Indigenous issues, events at residential schools and legal decisions. Previously published as Indian Missionary Record. Articles reflect the attitudes and polices of the time.

"National publication for the Indians of Canada". Focus on Indigenous issues, events at residential schools and legal decisions. Previously published as Indian Missionary Record. Articles reflect the attitudes and polices of the time.