Carving

Review of exhibition mounted at the Carleton University Art Gallery, Ottawa, 2001. Entire issue on one pdf. To access article, scroll to page 42.

Compares various films, their styles, and intent when dealing with subject matter relating to the culture of the First Nation.

Comments on the influence of James Houston on Inuit people to become artists. Entire issue on one pdf. To access article, scroll to page 24.

Curriculum Studies: Art Education Thesis (Ph.D.)--The University of British Columbia, 1997.

Forms part of Anthropological Papers of the American Museum of Natural History, v. 19 (p. 1-33, 4 plates).

Native Studies Thesis (M.A.)--University of Manitoba, 2002.

Study shows that non-Inuit evaluations of Inuit art are inconsistent as opposed to Inuit evaluations which are more consistent. Entire issue on one pdf. To access article, scroll to page 30.

Brief overview of the acquisition policies and collections of major Canadian companies. Entire issue on one pdf. To access article scroll down to appropriate page.

Discusses how Emily Carr confronts Aboriginal cultural change and challenges the authority of Native traditions in her work.

Replication of these wooden masks, together with the continued carving and use of False Faces, has contributed to the survival and stability of the Iroquois.

Comments on the 17 artists, representing all regions of the Arctic, in attendance at the Pan-Arctic Women's Workshop. Includes brief profiles. Entire issue on one pdf. To access article, scroll to page 6.

Group of seven totem poles at Kitwancool, BC.; summer scene. Title from front of postcard.

Curatorial notes for exhibition of the same name mounted at the Provincial Museum of Alberta, 1999. Entire issue on one pdf. To access article, scroll to page 40.

Anthropology Thesis (Ph.D.)--University of Arizona, 1964.

International Development Thesis (M.A.)--Saint Mary's University, 1999.

Curatorial notes for exhibition of the same name. Entire issue on one pdf. To access article, scroll to p. 37.