Carving

Comments on the mace used in the Parliament of Canada and the mace used in the Northwest Territories Legislature. Entire issue on one pdf. To access article, scroll to page 43.

A set of 12 photos showing Napthelie McKenzie splitting a log and making a paddle.

Comments on historical highlights including the role missionaries and employees of the Hudson's Bay Company played in the development of carving. Entire issue on one pdf. To access article, scroll to page 4.

Discusses careers of such artists as Henry Speck, George Clutesi, Ellen Neel, and Charlie James.

Photograph of a soapstone carving of a human figure and a polar bear.

Brief interview with prominent carver. Entire issue on one pdf. To access article scroll down to appropriate page.

Profiles of 30 artists and their works, with short accompanying explanations by the artists.

Interview with prominent Inuit sculptor. Entire issue on one pdf. To access article, scroll to page 34.

Presents pieces from exhibition celebrating the art of the Native People from Hudson Bay and Canadian Arctic.

Argues that the choice between Caribou antler and walrus ivory for carvings was linked to the Thule world view, mythology and spiritualism. Entire issue on one pdf. To access article scroll down to appropriate page.

Exhibition review from Anchorage Museum of History and Art, 1994. Entire issue on one pdf. To access article, scroll to page 36.

Interview with a prominent Inuit sculptor. Entire issue on one pdf. To access article, scroll to page 29.

Online exhibition with twelve artists and three writers which looks at Aboriginal ideas about healing and how they influence First Nations people and artists today.

Exhibition review at the Marion Scott Gallery, Vancouver, B.C., 1994. Entire issue on one pdf. To access review, scroll go page 20.

Brief exhibition review and artist profiles of: Jobie Arnaituk, Adamie Anautak, Aisa Amittu, Noah Echalook, Lucassie Echalook, Thomassie Echalook, Eli Elijasiapik, Joanasi Jack Ittukalluk, Mattiusi Iyaituk, Tamusiapik Sivuarapik, and Jobie Uqaituk. Entire issue on one pdf. To access article, scroll to p. 30.

Interview with a prominent painter, carver and silversmith. Entire issue on one pdf. To access article, scroll to page 16.

Looks at the variation in art pieces that deal with the story of Qiviuq. Entire issue on one pdf. To access article, scroll to page 30.

Consists of an interview where she discusses arranged marriages in her youth and the artistic tradition in her family.

Review of three sculptures, exhibited at the Winnipeg Art Gallery April 17-July 25, 1993, that illustrate shamanic transformation. Entire issue on one pdf. To access article, scroll to page 43.

Exhibit and catalog review of: Sacred Circles: Two Thousand Years of North American Indian Art organized and written by Ralph T. Coe.

Curatorial notes for exhibition of the same name mounted at the McMichael Canadian Art Collection, Kleinburg, Ontario, April 19 to September 7, 1997. Entire issue on one pdf. To access article, scroll to page 46.

Comments on the similarities of the pipes made by Pabahmesad and Awbonwaishkum pipe makers.

Interview with artist about his accomplishments and background. Entire issue on one pdf. To access article, scroll to page 16.

Book review of: Native American Modernism from the Smithsonian NMAI and the University of Washington.

Brief list of sources. Current as of 2001.

Book review of: Native North American Art by Janet C. Berlo and Ruth B. Phillips. Entire issue on one pdf. To access, scroll to page 40.

Natives hauling a totem pole through the snow in Kitwanga, BC.

Brief description of three communities and their artists. Entire issue on one pdf. To access article, scroll to page 38.

Brief interview with a Pelly Bay carver. Entire issue on one pdf. To access article, scroll to page 12.

Looks at the centre, the production of wearable art and the controversy over the suggested use for the wet-surface carving equipment. Entire issue on one pdf. To access article, scroll to page 7.

Curatorial notes for exhibition of the same name mounted at the McMichael Canadian Art Collection, Ontario, 1999 curated by Susan Gustavison, Robert Rainbird and Lyn Anglin. Entire issue on one pdf. To access article, scroll to page 32.

Book review of: Northern Rock by Susan Gustavison. Entire issue on one pdf. To access article, scroll to page 46.

Contends that while contemporary artists acknowledge those who came before, they have developed their own individual styles and the one common thread is their part in environmental, economic, and cultural politics. Article highlights several individual artists.

Anthropology and Sociology Thesis (M.A.)--University of British Columbia, 1975.

Review of exhibition mounted at the Winnipeg Art Gallery from Oct. 16, 2010 to April 3, 2011. Entire issues on one pdf. To access article scroll to p. 57.

Curatorial notes for exhibition of the same name mounted at the Museum of Anthropology, British Columbia, 1999. Entire issue on one pdf. To access article, scroll to page 38.

Various reports on the carvings beginning with the Lewis and Clark expedition of 1805 while visiting a Chinook village; includes illustrations.

Examines the development of pipes used for smoking that looked like animals and humans.

Profile of an Inuit artist who usually carves animal figures. Entire issue on one pdf. To access article, scroll to page 38.

Exhibition review. Entire issue on one pdf. To access article, scroll to page 38.

Discusses the rationale behind deciding what is good in Inuit art. Entire issue on one pdf. To access article, scroll to page 5.

Examines the historical cultural clash between traditional and western worldviews, and an alternative Indigenous frameworks to support multicultural national identity. History Honours Paper (B.A.)--University of British Columbia, 2013.

Reviews an exhibition spanning three decades, entitled Eagle of the Dawn that featured carving, painting, printmaking and engraved works .

A 51 foot pole, now in England, is discussed in the context of social organization, totem principles and clans.

An ornately decorated telephone booth. Victoria, B.C. On booth: "B.C. TEL 806, 000 TELEPHONE INSTALLATIONS OCT. 20/67 VICTORIA B.C."

Curatorial notes for the exhibition of the same name at the National Gallery of Canada, Ottawa, Ontario, April 18 to November 16, 1997. Entire issue on one pdf. To access article scroll to page 30.

Discusses how the art of the Native Indian people of the Northwest Pacific coast is distinct from other Aboriginal art.

Brief interview with a carver who likes to make transformation or shamanism themed carvings. Entire issue on one pdf. To access article, scroll to page 26.

Profile of the Inuit carver. Entire issue on one pdf. To access article, scroll to p.