Art & Colonization

Displaying 201 - 209 of 209

Wampum Belts with Initials and/or Dates as Design Elements: A Preliminary Review of One Subcategory of Political Belts

Articles » Scholarly, peer reviewed
Author/Creator
Marshall Joseph Becker
Jonathan Lainey
American Indian Culture and Research Journal, vol. 28, no. 2, 2004, pp. 25-45
Description

Discusses wampum belts, produced by tribes of the Eastern seaboard from 1600 to 1800, including their distinct beadwork styles, their functions and the practice of reuse of beads.

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Why Anthropologists Study Human Remains

Articles » Scholarly, peer reviewed
Author/Creator
Patricia M. Landau
D. Gentry Steele
American Indian Quarterly, vol. 20, no. 2, Repatriation: An Interdisciplinary Dialogue, Spring, 1996, pp. 209-228
Description
Authors attempt to justify delays in the repatriation of human remains to the Indigenous Nations to which they belong, as mandated by the Native American Graves Protection and Repatriation Act (NAGPRA) by arguing for the anthropological benefits of continued study of the remains.
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Writing / Righting a History of Australian Aboriginal Art

Articles » Scholarly, peer reviewed
Author/Creator
Susan Lowish
Humanities Research , vol. 15, no. 2, Compelling Cultures: Representing Cultural Diversity and Cohesion in Multicultural Australia, 2009, pp. 133-151
Description
Discusses problematic methodological approaches to Aboriginal art that have become a standard for use by historians and anthropologists and suggests how to write about art in the future.
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Writing the Talking Stick: Alphabetic Literacy as Colonial Technology and Postcolonial Appropriation

Articles » Scholarly, peer reviewed
Author/Creator
Laura E. Donaldson
American Indian Quarterly, vol. 22, no. 1/2, Winter-Spring, 1998, pp. 46-62
Description
The author uses Out of the Depths, Isabel Knockwood’s autobiography about her time in Indian Residential School, to discuss English alphabet writing as a colonizing tool and as consider different ways that Indigenous peoples have appropriated English writing as a form of cultural survivance.
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